Money Monster evaluation action
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Darrion 2022-03-21 09:02:06
Completely clueless crap. I don't know if I didn't understand it or what (the subtitles in this version I read were very bad, sometimes when I typed a bunch of subtitles, sometimes simplified and sometimes traditional), the TV station gang didn't get the key evidence at all, and they still wanted to expose some major shady stories. It seemed like he was risking his life. In the end, it can only prove that the CEO bribed the foreign government, just a misdemeanor. The most important thing is that there is absolutely no evidence of misappropriation of public funds!
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Lonzo 2021-12-19 08:01:14
6/10. The performance of the conflict is a change of binary opposition: at first the anchor and the hostager are opposed to each other and ask for an explanation, but the merchant has been evading it. At this time, the anchor/hoster is opposed to the hostess. It is also a story that pierced the heart of a lie. Judy Foster is not mature enough to switch perspectives, radical rhythms of space, and position scheduling. The action tension is far less than [horror live]. The live broadcast follows the climax scene of the Federal Hall, which is very symbolic. But the shot was dull.
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A Team Leader: So, he's got the stage all locked up. These are the exits, front and rear. Now, the problem is, this guy's got complete range of vision throughout the entire studio. So our only chance for a clean shot is from these catwalks above the stage. We're putting a man in position there as we speak.
Captain Powell: What about the bomb?
Lt. Vasquez: Well, this is definitely a dead man's switch here in his hand, which means if you take him out without disarming the bomb first, kaboom.
Officer Benson: Got the warrant, got an address. Sending a patrol there now.
Captain Powell: Great.
Lt. Vasquez: But you see this bulge right here? That's the wireless receiver. Now, Captain, if we can destroy that, then the dead man's switch is just another fucking switch.
Captain Powell: Except in order to destroy it, we got to what, shoot Gates?
Lt. Vasquez: Well, that's where this guy slipped up. If he wanted to ensure a kill shot, he should've put the receiver here, right over the poor bastard's heart. But instead, he put it down here next to his left kidney. If the bullet's on target, we get to him quick enough to avoid too much blood loss, there's a good chance, Captain, he could survive it.
Captain Powell: I'm sorry. Are you proposing we shoot the star of a TV show live, on air, in front of millions of people?
Lt. Vasquez: Yeah.
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Ron Sprecher: I had a meeting with Tony Biscano at Licem Pharmaceutical.
Patty Fenn: Lee, I'll be in your ear.
Ron Sprecher: He gave me this.
Lee Gates: What is it?
Ron Sprecher: It's erectile cream.
Lee Gates: Tony Biscano of Licem gave you erectile cream?
Ron Sprecher: Yeah.
Lee Gates: I guess I wasn't aware of the exact nature of your relationship.
Ron Sprecher: Well, they've been testing this thing for over a year, and the approval from the FDA finally came in last night. They're sending out a press release...
Lee Gates: And it works?
Ron Sprecher: Uh... apparently, yeah. Pretty damn well.
Lee Gates: Have you tried it?
Ron Sprecher: I just got it, like, thirty minutes ago.
Lee Gates: Well, what the hell are you waiting for?
Ron Sprecher: You want me to...
Lee Gates: Well, we're on in five minutes, aren't we? Put it on!