"PATTON" uses advanced widescreen technology in its photography to make the film's picture look quite beautiful. Many huge scenes are shot clearly and focused. Among them, the battle in the desert and the scene of Patton crossing France in the middle of winter are particularly impressive. The war scenes in the film are magnificent: in the deserts of North Africa, there are gravel and rugged rocks; the grassland covered in silver, the smoke of gunpowder, the beautiful scenery of nature and the atmosphere of war are intertwined into a picture with a strong visual impact. The director also used the integrated Moving the lens to complete the spatial display from point to surface, first using a part of the overall environment to create a prominent effect-the cruelty of war, and then let the audience bring the intensity of the part caused To understand the scale of the war in the venue.
Patton post-production
2021-12-07 08:01
Extended Reading
-
Maybelle 2022-03-28 09:01:03
"Men, this stuff that some sources sling around about America wanting out of this war, not wanting to fight, is a crock of bullshit. Americans love to fight, traditionally. All real Americans love the sting and clash of battle. You are here today for three reasons. First, because…
-
Micaela 2022-03-27 09:01:06
The miserly dialogue and easy-to-decipher action language combined with the meager background explanation (black and white clips interspersed in color) make the image of Patton in the midst of war both approachable and receptive. When he needs to be tall, the lens is basically shot at an elevation angle (such as facing the listener, colleagues, opponents and soldiers); when he needs to be small, the lens is rarely shot at a depression angle or head-up angle (such as the condolences in the ancient battlefield, after the dismissal of Blair Deli's Visit and Facing Death
-
Soldier: Where ya goin', General?
Patton: Berlin! I'm going to personally shoot that paper-hangin' son of a bitch!
-
Patton: What's the matter with you?
Soldier Who Gets Slapped: I... I guess I... I can't take it sir.
Patton: What did you say?
Soldier Who Gets Slapped: It's my nerves, sir. I... I... I just can't stand the shelling anymore.
Patton: Your *nerves*? Well, hell, you're just a God-damned coward.
[Soldier starts sniveling]
Patton: [Slaps him, once forehanded, then backhanded on the rebound]
Patton: Shut up! I won't have a yellow bastard sitting here *crying* in front of these brave men who have been wounded in battle!
[Soldier snivels some more, and Patton swings a vicious forehand slap, knocking his helmet away]
Patton: *Shut up!*
[to the doctors]
Patton: Don't admit this yellow bastard. There's nothing wrong with him. I won't have sons-of-bitches who are afraid to fight *stinking up this place of honor!*
[to soldier]
Patton: You're going back to the front, my friend. You may get shot, and you may get killed, but you're going up to the fighting. Either that, or I'm going to stand you up in front of a firing squad. I ought to shoot you myself, you god-damned... bastard! Get him out of here!
[pulls his service automatic. At that, the doctors leap forward and hustle the soldier out of the tent. Patton keeps shouting at the soldier's back]
Patton: Take him up to the front! You hear me? You God-damned coward!
[Takes deep breath]
Patton: I won't have cowards in my army.