The Jewish prisoner pretended to be Persian to escape, but the Nazi officer asked him to teach himself Persian. Such a "high concept" setting brings a strong dramatic tension to the film. In desperation, Jewish prisoners created a language, each word borrowed the name of the prisoner compatriots, and the heaviness of history was born from this. A very unequal and antagonistic relationship, with the unfolding of "Persian Lessons", has transformed into a fraternity of brotherhood and a friendship between master and apprentice. The audience's sympathy began to waver between the two different camps, and this short-lived warmth was eventually shattered by the justice of history. The film reproduces the heaviness and absurdity of the history of World War II. Nahuel Pérez Biscayart, who plays a Jewish prisoner, can switch freely between four languages including English, French and German, which is amazing
.
Persian Lessons evaluation action
2022-03-14 08:01
Extended Reading
-
Mckenzie 2022-03-14 08:01:02
"The Reader's List", invented a language, call you by your names. (The snoring can be heard from time to time in the second half, I thought it was issued by the people on the screen who were tired from hard work in the quarry, but I only reacted when I was there. It's a live audience...)
-
Aric 2022-03-14 08:01:02
Pure commercial film. I chose this one because the poster looks like a pianist, but unfortunately it's not at the same level. This is the one that saw the most early departures in the three days of watching the movie, and it was also the one that the audience used the most mobile phones. The normal length of the early two hours behind it really got me on pins and needles, too long and too much useless plot branches. What's the point of a love triangle, just to say the biggest joke of invisible? After seeing so much suffering, why did you suddenly decide to help the Italian brothers, who in turn helped kill people, even if it was a commercial film, it was too deliberate and unreasonable, right? After it came out I could only console myself maybe because it was based on real events, anyway the script was terrible. If the front is really portrayed well enough, without those extra branches and turns, it should become a big tear in the end. In the end, I didn't hear any sniffling around, which has already explained the problem. I still like this Hanhan officer very much, he looks like Erwin Smith (not). But it's too far-fetched to say it's human nature, it's love, and it's an officer and a boy. I think you're insulting "The Officer and the Boy".
-
Klaus Koch: [Koch took Gilles back after he was put to move to another camp] You would risk your life for those nameless people.
Gilles: Those aren't nameless. Just because you don't know their names. At least they aren't murderers.
Klaus Koch: I'm not a murderer.
Gilles: No. You just make sure that the murderers eat well.
-
Klaus Koch: As long as you work for me nothing will happen to you. I bet 20 cans of meat that nothing will happen to you.
Gilles: Too bad I won't be able to eat them since I'll be dead.