"Possession" received a mix of well-founded and sincere praise from critics, as well as well-documented and sincere criticism. The former, represented by "Premier" magazine, gave the film a good evaluation, on the grounds that director Neil LaBute handled the two narrative clues of the past and the present very skillfully, making the two clues blend very naturally, which is also the reason. It is the crux of the film, and it is hard work if you can handle it well; the latter directly pointed out that Rabout brought the cold and weird style of directing an independent film into the film, and the audience can feel that the film is in order not to fall. Into the clichés of romance films, I have been deliberately avoiding sensational elements, but this kind of treatment inevitably makes people feel that the development of the relationship between the two protagonists is too jumpy
Possession evaluation action
2022-03-18 08:01
Extended Reading
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Tobin 2022-04-22 07:01:55
This story is very interesting, but the emotional description of the modern line is somewhat rough, and it is not as exciting as the emotional description between the two poets of Victoria; such a two-line intertwined narrative is a coincidence for the feelings of the two poets a hundred years ago. The pursuit is also very interesting; Hollinghurst's "The Stranger's Child" also tells a similar story; the PS screenwriter is the famous Huang Zhe Lun!
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Jana 2022-04-23 07:05:29
Books will look better.
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Fergus: Mitchell's late again?
Blackadder: ROLAND, asked for another day off, Fergus.
Fergus: Oh, really? Where's he gone?
Blackadder: I didn't ask, and he didn't say. He's an American for God's sake. He's probably off trafficking drugs.
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[to Roland the morning after their first night together, and first kiss]
Maude: I can't imagine what you're like after you actually sleep with someone!