"Possession" received a mix of well-founded and sincere praise from critics, as well as well-documented and sincere criticism. The former, represented by "Premier" magazine, gave the film a good evaluation, on the grounds that director Neil LaBute handled the two narrative clues of the past and the present very skillfully, making the two clues blend very naturally, which is also the reason. It is the crux of the film, and it is hard work if you can handle it well; the latter directly pointed out that Rabout brought the cold and weird style of directing an independent film into the film, and the audience can feel that the film is in order not to fall. Into the clichés of romance films, I have been deliberately avoiding sensational elements, but this kind of treatment inevitably makes people feel that the development of the relationship between the two protagonists is too jumpy
Possession evaluation action
2022-03-18 08:01
Extended Reading
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Kaci 2022-03-20 09:03:09
A two-line narrative of Victorian and modern society. Intoxicated by paragraphs of poetry and metaphors, while sighing at the delicate and heavy love of that literary boom era, at the same time rekindling confidence in this modern era where impetuous and addictive love has become fast food. Indeed, love is a power that can be passed on. In every era, there is love that is enough to burn each other. What you do is to wait patiently for your crown queen.
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Rodrigo 2022-03-19 09:01:11
It's just a little bit slower, but it's a succinct story. The two story lines enrich the original single story, and I prefer stories that belong to the past
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[first lines]
Randolph Ash: They say that women change. 'Tis so, but you are ever-constant in your changefulness. Like that still thread of falling river, one from source to last embrace, in the still pool ever-renewed and ever-moving on, from first to last, a myriad water-drops.
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Randolph Ash: You cut me, Madam.
Christabel LaMotte: I'm sorry. I only meant to scratch.