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During the shooting of "Imperial Soul", Alfred Hitchcock divided a film into eight sections, covering the black screen with a close-up of the character's back or the lid, or using the character's sight as the editing point.
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Alfred Hitchcock adopted the "one mirror to the end" shooting method in "Imperial Soul". In order to achieve the effect, all the cast and crew conducted a 10-day rehearsal before the film was officially filmed.
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Because of the color of the sky, the crew spent 9 days reshooting the film.
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All the shooting scenes of "Imperial Soul" were completed in a small room.
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The first time the film was shot, the radio equipment was abandoned and only the picture was taken. The second time the film was taken, the camera was dropped and only the sound was taken; then, the production staff combined the sound and the picture in the post-production stage.
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"Imperial Soul" is the first color film shot by Alfred Hitchcock. In order to avoid the tendency of overuse and chaotic use of colors, Hitchcock reduced the use of colors in the film.
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When Alfred Hitchcock saw that the timing and plot of the script coincided with each other, he decided to shoot the film as a one-shot movie.
Rope behind the scenes gags
2021-11-13 08:01
Extended Reading
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Cheyanne 2022-03-27 09:01:04
Staged and one-shot are inherently compatible with each other, Hitchcock is just trying to return to the essence, taking another big step towards what he calls "suspense" through coherent performances, scenes and character emotions. While some of the splicing techniques may seem stale or even clumsy now, you can imagine how shocking they were at the time. The lines and the psychology are inside and outside each other, subtle and true. John Doyle is so arrogant
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Dee 2022-04-23 07:01:40
From 19:30 to 21:15, in the "Only One Shot" film, Xi Fatt successfully conducted a movie shot experiment through the close-up of small objects and the lens switching of the same thing. Thank you. The clouds made of glass wool, the neon at the end, the exterior scenes of New York and the psychological warfare inside, great. To have a party next to the coffin, you have to have a high psychological quality to bear it. Grant, Bergman and Stewart are wonderfully framed together.
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Mrs. Wilson: Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.
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Brandon: There's champagne in the icebox.
Mrs. Wilson: Oh, we're not giving them champagne?
Brandon: We are.
Mrs. Wilson: Oh, well, it's going to be that kind of party. I'd better doll up a little.