Brandon and Philip are two college students with homosexual tendencies. The two of them conspired to strangle classmate David with a rope and put David's body in a book box. In order to show off their "wisdom", they spread tablecloths on the bookcases, set up tableware, and then invited the deceased's parents, fiancées, classmates and teachers to a banquet. The banquet was held on David's coffin. Brandt lied about David's going out, thereby stabilizing the guests. During the dinner, cowardly Philip became more and more fidgety, while Brandt was eloquent. Between coveting and arranging, Brandt became more and more intoxicated by his crimes, and the truth of the matter was gradually hinted in his speech. Among the guests invited by Brandon and Philip was a professor named Rupert. Rupert was a believer of Nietzsche and often promoted the philosophy of Superman among his students. Brandon and Philip's murderous acts were largely influenced by him. He listened to Brandt's rhetoric, and he felt more and more weird. After the banquet, Rupert returned to the scene with excuses.
Rope movie plot
2021-11-13 08:01
Extended Reading
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Dee 2022-04-23 07:01:40
Not the usual reasoning about finding a murderer, but witnessing the characters to discover the crime, everything takes place in the living room, the use of the camera is unique, and the ending is nerve-wracking. The theme is about the influence of World War II, talking about the pros and cons of human beings and the power to deal with life, criminals commit suicide because of arrogance.
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Barbara 2022-03-21 09:01:40
James Stewart was paid extremely high, with a budget of 1.5 million and 300,000, but this film was the only work he did not like in the cooperation with Hitch. At that time, he also half-jokingly suggested to Hitchcock that since you made the movie into a stage play, why not pull in the temporary stand to sell tickets to the outside world? ... Personally, I think that the "great significance" of the Soul Requisition Cord is precisely that it uses cunning tricks to pierce the illusion of people's worship of long shots. It's like the reverse of the plot in a Soderbergh thriller: I told you that there was a drug in the water, but it wasn't, but the other party pretended to be in a coma for fear of revealing the truth, but instead exposed it. Reaper of Souls, I also told you in advance that one shot goes to the end. In fact, there are no less than ten light and dark breakpoints, but the audience doesn't care, and still thinks the story is very catchy, so it proves that it has nothing to do with the long shot.
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Brandon: The good Americans usually die young on the battlefield, don't they? Well, the Davids of this world merely occupy space, which is why he was the perfect victim for the perfect murder. Course he, uh, he was a Harvard undergraduate. That might make it justifiable homicide.
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Brandon: An immaculate murder. We've killed for the sake of danger and for the sake of killing. We're alive, truly and wonderfully alive.