In the film, the father repeatedly shows his disgust and pity for the blind son, and the resulting crisis in marriage and mother-child relationship is a comprehensive presentation of family and social problems in Iran.
The film is a simple, delicate and profound film. Taking children as the main body of performance further deepens the audience's understanding of Iranian film art, and to a large extent eliminates the prejudiced imagination about Iran caused by ignorance and speculation. There are many remarkable shooting techniques and techniques. place.
The film has a lot of painstaking delicacy in the audio-visual language, especially the repeated performance of the blind child's hand and his sensitive intuition for the sound of nature, all of which are devoted to the director's humanitarian feelings. The film is an excellent film worthy of collection for those who are eager to understand the styles of Iranian films other than Abbas.
