The Conversation evaluation action

2021-12-08 08:01
The theme of "The Conversation" is very clear, condemning the reality of society without privacy makes people more lonely and more suspicious. The film reveals the reality of American society, no matter who it is, can not escape the fate of being monitored. In fact, the film also brings a question worth pondering for the audience: when people rely too much on high technology, they will find that these technologies bring not only changes, but also a disaster   .
"The Conversation" touches sensitive political events and has a strong allegory. However, its excellence is not limited by a certain event, but can be extended and surpassed. The film is not just about making a fuss about the "Watergate Incident," it mainly exposes the fact that the morals of American society have been degraded and the law has been trampled on.  .
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Extended Reading
  • Gladys 2022-04-20 09:01:41

    On the surface, it discusses the cost of eavesdropping on privacy, but inside, it falls into the endless abyss of resistance between reality and fantasy; when the flashbacks no longer appear, those voices haunt Kaur like a nightmare. Dialogue, until the end, the loneliness conveyed by the saxophone floods the cramped room, will that bug be in the instrument? The answer is irrelevant.

  • Marquis 2021-12-08 08:01:44

    [B+] Getting better. It is really unexpected that Coppola would shoot such a steady work, the Coppola in the 70s. Sensory film: The pervasive sound becomes the direct source of all fears. Coppola is a rather bold approach in ensuring that most of the focus is shifted to the sense of hearing. The auditory repetition has reached a sense of torment that is inaccessible to the vision. Everything in the audience and characters is constantly drawn away in the sound. At the end of the scene-the nightmare of "sound" disappears completely for the first time, but completes it completely in peace. The outbreak. The last 20 minutes is a super masterpiece, but this kind of slightly classical and old-school narrative method is what I reject.

The Conversation quotes

  • [first lines]

    Passerby: Well, I want to go over to my place and start, you know, getting it on...

    Ann: Oh, that's terrible.

    Mark: Yeah. Do you ever, uh... ballet?

    Ann: Be thankful. Do you have a quarter for them?

    Mark: Yes, I do.

    Ann: [gives it to street band]

    Ann: What about me?

    Mark: You'll see.

    Ann: A lot of fun you are. You're supposed to tease me, give hints, make me guess, you know.

  • Ann: I can't stand it. I can't stand it any more.

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