Bunuel's surrealist style is fully displayed in the film
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The film is an important work that embodies the aesthetic principles of Buñuel's film in narrative. It perfectly combines surreal and narrative to form a unique visual language and narrative style. The views expressed in the film are quite complicated. Bunuel has great ambitions. At the same time, because of his relaxation, the narrative of the film is not tedious, but rather calm. Movie dream entirely realistic style shooting, no expressionism, editing and smooth, no obvious group seams track
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Bunuel used his superb technique, exaggeration and symbolism, and even bizarre metaphors, to ridicule bourgeois society. This satire involves upper-class people, social systems, morals, sex, police, military, etc. Religion and even audience. Bunuel’s late films pay more attention to subtle wording and sophisticated movements. In this film, the actor's performance is unwilling to subdue. Ambassador Miranda's polite and restrained performance is almost at its peak. The combination of role and actor can be described as a perfect harmony, depravity is their purity, hypocrisy is their sincerity, selfishness is wrapped in a beautiful demeanor. This film is Bunuel’s free work after getting rid of the shackles of commercial or traditional narrative. He can do whatever he wants without breaking the rules. The ubiquitous humor in the film is not simply a comical revelation of superficial phenomena, but a revelation. The expression of human bitterness after some metaphysical chewing
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