In fact, Julio Pietro has always regarded his Producer work as a temporary identity, nothing more than a bridge into another field, he said: "In previous companies and Everyone I have worked with or worked as colleagues understands this point, that is, I am really not very good at being a Producer, it is just an overdone phased job, and my departure is only a matter of time. When I read Michael Lewis's' (Liar's Poker), and I felt so emotionally involved with everything that it said, I remember thinking, 'Even though I'm working on Wall Street now, sooner or later I'm going to leave. Here, then write something to describe the world. 'It's been 6 years since that time, and I have never left any unforgettable memories of that experience, even though I was lucky and did a lot of things I liked and the colleagues I worked with were very nice to me, but I've never been truly fulfilled in this position - I know I'll never be complete unless I can create something meaningful to me. It may sound like a cliché, but it was my truest feeling at the time, and it was the 'culprit' that led me to directing. "
The Good Guy Over-Stage Work
2022-04-14 08:01
Extended Reading
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Daniel Seaver: He loved her more than anything, even his own life. I think that's what love is. Anything else is just, a distraction.
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Beth Vest: ...I don't think she's ever even been in love!
Beth Vest: Have you?
Beth Vest: I thought so, but I think that when somebody turns out to be completely different than what you thought, it doesn't really count.