In the film "The king of masks", director Tianming Wu used the layered structure of "off-screen play" and "face-on-face" to complete the thinking and association of human feelings and human nature, triggering people's profound understanding of traditional values and their cultural psychology Reflect. The embarrassing situation and bitter mentality of "The king of masks" seems to be the spiritual portrayal of the director who lost his institutional affiliation after returning to China. His reflection on human feelings, humanity and humanitarianism is very valuable. "The king of masks" reflects the director's wholehearted identification with traditional culture. The film deeply excavated and criticized the traditional concepts and feudal thoughts of "passing on from one generation to another", "passing on from male to female, from inside to outside". However, in the process of this critique, traditional expressions were incorporated
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The King of Masks evaluation action
2022-02-07 14:51
Extended Reading
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Stefanie 2022-03-18 09:01:09
It's so touching, everything is logical, Zhu Xu and Zhou Runying acted so well. The grandfather's cry is too clear and loud, and the boss's cry is too distressed and sad. The face-changing king who prefers sons to daughters is finally moved by the dog baby. Who says girls can't continue the incense?
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Ulises 2022-03-20 09:02:56
Artists walking on the rivers and lakes, juggling on the streets, the unique skills of passing on men but not women, awning boats, foggy river surfaces, wet and narrow stone alleys, lords and gatekeepers, Qiu Ba, the National Government, theaters, the film still presents these historical memories. It is considered a complete success. The story follows a warm route, which is stable and a bit sensational, and the ending still does not escape the cliché of similar structures. The old man Zhu Xu is very playful, and he has a very good grasp of the character, development and expression of the characters.
