The Marriage of Maria Braun evaluation action

2022-02-02 08:13
"Die Ehe der Maria Braun" is one of Fassbender's "Quadteries of German Women". In the film, the director uses Maria's character images in several different periods to match the characters' situations, thus promoting the plot and sublimating the theme.  . At the beginning of the film, the director places the main characters in a special historical moment with a set of rather condensed and powerful shots. Judging from the choice of modeling details, the fall of Hitler's head not only casts a historical shadow on Maria's future fate, but also has a meaning that runs through the film as a whole   .
The scene of Herman's miraculous return in the film is dramatic. Although his appearance made the contradiction extremely sharp, the film deliberately adopted a cold approach. A series of actions by Hermann rushing into the house not only conforms to his identity, but also outlines the characteristics of the era of material scarcity in Germany after World War II; in addition, this cold treatment also disturbs the original contradictions and conflicts established by the film, and Give the audience time to think calmly. A return to happiness should be Maria's end, but Fassbender's handling has a heavy historical tragedy  . The end of the film's gas explosion is a Nietzschean perpetual return that shows Fassbender's Germanic voluntarism at heart   .
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Extended Reading
  • Hubert 2022-03-27 09:01:21

    I thought it would be weird for Fassbender to tell stories about women, but it's actually okay. It is good that the fate of this woman reflects the social state of post-war Germany, and the rest is nothing special.

  • Derick 2022-03-25 09:01:23

    8.3/10. ① The heroine who married in Nazi Germany was unswerving in love, but due to the troubled times in post-war Germany, she had to deal with her lovers/boyfriends, and finally she committed suicide because she could not stand the gap between ideal and reality. ②The images are still the repressive techniques of "Fear Devouring the Soul" (but the whole is more conventional, and the calling level is not as good as the latter): cold tones, many framed compositions and foreground occlusion compositions, stern performances, slow narratives Rhythm. ③Various elegant and lazy high-level camera movements and scene scheduling are slightly misaligned with ②the image quality. ④Some plots are not interesting enough and look boring, deduct 0.5.

The Marriage of Maria Braun quotes

  • [Maria Braun visits the first-class section of a train]

    Maria Braun: Ever notice how tiny the rest rooms are? I thought they'd be bigger in first class - fatter people.

  • Karl Oswald: Senkenberg's basically a good fellow, and so am I.

    Maria Braun: I'm not.

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