"Peetooim Ha-Assurim Shel Velmont, Ha" uses love or sex as an important dimension of a relationship and is lighter in tone, but that's perhaps the problem with the film - this ease reduces the tragic nature of the protagonist's fate. In order to make audiences understand the tragedy of lost life and lost love, the tone of the film shifted from romantic realism to burlesque. Casting, acting, and narrative events all contribute to this change in tone. At first, Farmain's romantic approach to the Marchioness was hilarious; so was the duel that cost him his life. The pain of the realism of first discovering love undercuts the poignancy of the process that Farman found. This example is one of many tones that undercut the clarity of a complex narrative. "Peetooim Ha-Assurim Shel Velmont, Ha" Fails in Narrative Clarity
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Valmont evaluation action
2022-03-16 08:01
Extended Reading
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Laverne 2022-04-22 07:01:55
Where is the "most poisonous woman's heart", the heroine played by Annette Bening is obviously "the world is drunk and I am alone", seeing through the essence of the relationship between men and women marriage and love, "Do you want to know why I didn't remarry? This way No one deserves to say what the power will do to me!" A first-class woman with beauty, style, and scheming, no man in the play is worthy of him. In contrast, the Viscount of Playboy is the one who can't afford to lose.
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Lamont 2022-03-16 08:01:01
Affection is a tragedy, and it must be read with death.
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Madame de Tourvel: Don't move. I'll prepare something for you. I'll wait on you. I want to serve you.
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Mertuil: Better than me?
Valmont: No one compares to you.
Mertuil: How true.