"Peetooim Ha-Assurim Shel Velmont, Ha" uses love or sex as an important dimension of a relationship and is lighter in tone, but that's perhaps the problem with the film - this ease reduces the tragic nature of the protagonist's fate. In order to make audiences understand the tragedy of lost life and lost love, the tone of the film shifted from romantic realism to burlesque. Casting, acting, and narrative events all contribute to this change in tone. At first, Farmain's romantic approach to the Marchioness was hilarious; so was the duel that cost him his life. The pain of the realism of first discovering love undercuts the poignancy of the process that Farman found. This example is one of many tones that undercut the clarity of a complex narrative. "Peetooim Ha-Assurim Shel Velmont, Ha" Fails in Narrative Clarity
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Valmont evaluation action
2022-03-16 08:01
Extended Reading
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Devante 2022-03-26 09:01:14
This is a legacy. The main reason is that the film adheres to the original's neutral position on debauchery, and also plays the role of the original. It abandons the ending of the original, is less moralistic, and challenges traditional concepts more than the original. It was released in the same year. The film is far from the pioneer of this film, and the concept is more traditional, so it is easier to be accepted by the mainstream.
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Reyes 2022-03-16 08:01:01
Even the most poisonous woman's heart, Annette's evil beauty, is so poisonous that people drink to quench their thirst like tasting cheese and sweet wine. Colin is in his 30s, and the beautiful young man in brocade clothes is willing to fall into the ecstasy of unreasonable debauchery. Who wins and who loses in this war without gunpowder smoke? Like the later Jenifer Ehle, Meg Tilly has an imperceptible delicate and classical beauty, Colin, you have good eyesight
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Madame de Volanges: Do you know what I found? Letters. Love letters.
Mertuil: From?
Madame de Volanges: From her miserable music teacher.
Mertuil: That little boy?
Madame de Volanges: That little snake!
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Madame de Volanges: Why are you locking your cabinet?
Cecile: Is it locked?
Madame de Volanges: Give me the key.
Cecile: I don't know where it is.
Madame de Volanges: It's hanging round your neck.