The screen of the film maintains a solemn and stern style, with blue and white, and the kingdom of Great Britain under the lens appears to be withered and gloomy. The soundtrack is introspective and restrained, and the tension-filled arrangement appears simple and direct, full of sadness, and appears gloomy. This seems to be a desolate social picture where the gender system and the class system are intertwined with individuals struggling and tumbling against each other.
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Director David McKensey undoubtedly has pity for the character of Zu. Although the erotic dramas are bold, they have no sense of beauty, and they are ridiculously real and disturbing. Wan McQueen has an unruly temperament, and his performance is tepid and just right. The film seems to be a glimpse of light, and the game is over before it reaches its climax. The waves in front were magnificent, but they ended up silently and without disease. The whole movie looks cold and radiant, whether it is the smoky water, or the moonlight, or the indifferent eyes of the characters, and the white corpses, there is a similar coldness
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