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Darron 2022-04-23 07:03:27
This is a pleasant surprise. Lean's use of mirrors and the ingenious combination of character psychology are multiplied in this highly textual narrative. And this kind of dark lighting also deepens the rendering power in certain situations. Although the plot has ups and downs, it remains completely calm on the camera until the climax, which is really smooth. The story is also very representative, and it is a love that modern urban people can...
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Johnnie 2022-04-23 07:03:27
this misery can't last. nothing lasts, really...neither happiness nor despair. not even life lasts very long. I want to remember every minute, always...always to the end of my...
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Terrill 2022-04-23 07:03:27
The story is not new, but the filming is delicate and delicate, almost perfect. The derailment and the lie are like a vortex, which makes people unable to extricate themselves. The ending echoes the last hug of the parting...
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Laurie 2022-04-23 07:03:27
#DocumentaryPhoto#Restored version, it's really "hate to meet you late", how can it be so romantic? Very advanced concept of marriage and love, I can't believe this is an old movie from 1945? The inner drama runs through the whole, simple but not simple, the delicate and sultry female perspective, and the unspoken words of an intellectual and kind housewife - when she is alone leaning against the car window at night, Outside the window is the beautiful future she and he imagined. She smiled...
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Telly 2022-04-22 07:01:42
Music (Rachmaninoff II), shadows, bells, trains, clocks, and flashbacks are standard. During this period of love, they met a total of eight times. The coal sand in their eyes when they met each other echoed the place where they watched the train go away at the end, and when they were in love, the other party said childishly that coal sand entered the lungs and got sick. There are many other places for such echoes. . My favorite scene is the slanted scene as he rushes towards the train, like...
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Rubie 2022-04-22 07:01:42
Very classical love. The narrative is wonderful, and the film language is relatively mature. Black and white images are really...
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Myrtle 2022-04-22 07:01:42
9.5/10. ①The married heroine had an extramarital affair with a married doctor. In the end, both of them decided not to betray their other half and ended the relationship with regrets. ②The creation of elegant temperament: The film is full of elegance, whether it is camera movement, character performance, costumes, the voice of the heroine's narration, soundtrack, etc. ③ The triple exposure of the female protagonist looking out of the window on the train is wonderful: the female protagonist's...
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Aidan 2022-04-22 07:01:42
thank u for coming back to me. . . ....
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Clementine 2022-04-22 07:01:42
Intensive narration, enough to compete with Luncheon Song. The tangled and forbearing feelings are only a few afternoons at best, it is estimated that it is less than 40 hours, and it is nothing now. But in the era of self-denial and obedience, it became a...
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Josephine 2022-04-22 07:01:42
8. It's quite different from Lean's works I've seen before. The name is translated well, and I really know the whole film in one question. I have to mention the pull 2 that runs through the whole film. Fortunately, the pull 2 is long enough to be used in every...
Brief Encounter Comments
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Camylle 2022-03-25 09:01:14
see you late
Meeting, at the station, parting, also at the station.
The whistle sounded, urging, and the moment of nostalgia was no longer given.
Custer, who has left Africa, will he have a chance to meet again in this life? The girlfriend was chattering across the table, and Rita just watched her mouth move... -
Margret 2022-04-19 09:02:33
housewife dream
David Lean filmed "Meet Hate Late" in 1945, half a century earlier than Lao Ke's covered bridge.
However, it also proves that extramarital affairs are timeless and fragrant activities of human beings, which are passed down from generation to generation.
The 1945 film is also a novel adaptation, and...
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Laura Jesson: [Secret thoughts] I imagined him holding me in his arms. I imagined being with him in all sorts of glamorous circumstances. It was one of those absurd fantasies, just like one has when one is a girl being wooed and married by the idea of ones dreams.
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Laura Jesson: [Secret thoughts] I starred out of that railway carriage window into the dark and watched the deem trees and the telegraph posts slipping by. And through them I saw Alec and me. Alec and me, perhaps a little younger than we are now, but just as much in love and we have nothing in the way. I saw us in Paris, in a box at the opera. The orchestra was tuning up. Then we were in Venice, drifting along the Grand Canal in a gondola with the sound of mandolins coming to us over the water. I saw us traveling far away together. All the places I've always longed to go. I saw us leaning on the rail of a ship, looking at the sea and stars. Standing on a tropical beach, in the moonlight, with the palm trees sighing above us. Then the palm trees changed into those pallided willows by the canal, just before the level crossing. And all the silly dreams disappeared. And I got out at Ketchworth and gave up my ticket and walked home as usual. Quite soberly and without wings. Without any wings at all.