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Hermann 2022-04-21 09:02:54
6. I realize that people's whole life is a contest with their own...
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Garett 2022-04-21 09:02:54
Yu Daguang British Masters Exhibition. It is indeed a model and template for expressing this "eternal" theme of film and television works. Rachmaninoff's No.2 steel collaboration soundtrack is a bit exaggerated from the current point of...
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Logan 2022-04-21 09:02:54
1. Purely Melodramatic. Big flashback. 2. My dad fell asleep while watching, and felt that the woman in the video was talking too much. My mother is still unfinished (mom likes Naruse...), and feels that my father still doesn't understand women, but he also complains that Western women are still a bit slutty and do not adhere to the ethics that should be followed in marriage. . . . 3. Rachmaninoff's Second Piano Concerto opens, praise! 4. The use of lights and the mobilization of sound effects...
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Jimmie 2022-04-21 09:02:54
Brief Encounter (1945)...
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Timmy 2022-03-30 09:01:06
Hate to meet each other and cheat in marriage. Art film: Emotional struggle + returning to the family; the heroine's monologue flashback mode is the same as "Spring in a Small Town"; Favorite episode: The male protagonist talks about pneumoconiosis and the female protagonist is ecstatic and says he is like a Child, at the end, the husband said to the lonely wife, "You've been a long way away. Thank you for coming back to me." The Itch of the Year" can form an "ambiguous" triangle. The scene of...
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Leonora 2022-03-29 09:01:06
The story is simple and the main lines are clear. I can't see the true feelings of the male protagonist, but I feel like a hypocrite who cheats. The scene where the heroine struggles at the end is good. This kind of story happens all the time and everywhere. The stranger who suddenly breaks in after getting tired of the monotonous married life is crazy and fascinated~~ If it is really divorced and together, passion replaces responsibility, and there is no guarantee Unlike Xu Zhimo and Lu...
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Darlene 2022-03-29 09:01:06
Small and intimate, it cleverly captures the zeitgeist of post-war Britain, focusing on middle-class values and the morals of the day. The two leads are fantastic and Celia Johnson shows such restrained emotion, it breaks my heart for her. Trevor Howard's conflict between desire and responsibility is palpable. Their relationship is so real and...
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Kade 2022-03-29 09:01:06
Passionate, only polite. Lonely Bingxin's monologue tells the budding of forbidden love in a self-reported tone. The portrayal of light, shadow and superimposition shows the fetters of women's affection and ethics. The alarm bell in the station is like a police inspector who oversteps his emotions again and again, but the two who meet each other late are attracted to each other like magnets. The masked image of the middle class and social communication are the biggest practical obstacles. What...
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Terry 2022-03-29 09:01:06
Nothing lasts long, neither happiness nor pain... How powerful is that smoky train! I don't know why I'm so obsessed with this smoky steel, it's like a strong song... "I know this is the end, not the end of me loving you, but the end of us together... ..." The husband was tolerant and wise, and he said, "Thank you for coming back to me,...
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Kasey 2022-03-29 09:01:06
A lot of inner monologues and voiceovers, and the gentle and elegant written lines of the 1940s are matched with the emotional piano sound, which is quite beautiful. Not being able to say goodbye in an open and honest way is also...
Brief Encounter Comments
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Chasity 2022-01-07 15:53:55
Love in spots
Time: 21:00, June 13, 2009
Venue: Quebec
Cinemas Event: Screening of newly purchased
films at the Quebec Cinemas 1. David Lean's films have only seen a few epic films and adaptations of classics-River Kwai, Lawrence and Ziwa Ge, Great Expectations and Oliver. So some time ago, I learned that the... -
Candace 2022-03-23 09:02:39
Nothing lasts really.
The heartbreaking farewell of the hero and heroine at the beginning of the film is interrupted by a cooing old hen. This woman has the typical symptoms of rushing thoughts, her two lips are rapidly opening, making people dizzy and nauseated and want to vomit. As an audience, I have a common...
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Laura Jesson: [Secret thoughts] I imagined him holding me in his arms. I imagined being with him in all sorts of glamorous circumstances. It was one of those absurd fantasies, just like one has when one is a girl being wooed and married by the idea of ones dreams.
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Laura Jesson: [Secret thoughts] I starred out of that railway carriage window into the dark and watched the deem trees and the telegraph posts slipping by. And through them I saw Alec and me. Alec and me, perhaps a little younger than we are now, but just as much in love and we have nothing in the way. I saw us in Paris, in a box at the opera. The orchestra was tuning up. Then we were in Venice, drifting along the Grand Canal in a gondola with the sound of mandolins coming to us over the water. I saw us traveling far away together. All the places I've always longed to go. I saw us leaning on the rail of a ship, looking at the sea and stars. Standing on a tropical beach, in the moonlight, with the palm trees sighing above us. Then the palm trees changed into those pallided willows by the canal, just before the level crossing. And all the silly dreams disappeared. And I got out at Ketchworth and gave up my ticket and walked home as usual. Quite soberly and without wings. Without any wings at all.