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Elinore 2022-03-25 09:01:14
#yinglunmasterexhibition#1. It’s the same thing: You hate me for being late, I hate you for being born early, I miss you every day, and I almost mess around; 2. The movie tells us, don’t chat while watching the movie, or else Even if you are in love, you will not be together; 3. The movie also tells us to open a room when it should be opened, and not to borrow someone else's...
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Gaetano 2022-03-25 09:01:14
#yinglunmasterexhibition#1. It’s the same thing: You hate me for being late, I hate you for being born early, I miss you every day, and I almost mess around; 2. The movie tells us, don’t chat while watching the movie, or else Even if you are in love, you will not be together; 3. The movie also tells us to open a room when it should be opened, and not to borrow someone else's...
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Ima 2022-03-24 09:02:51
David Lean is good at making epic movies, but he didn't expect to be very good at making such love sketches. The audio-visual language is excellent, the use of black and white light and shadow is extremely skilled, and the control of the story of derailment is also very delicate and smooth. Even if the protagonist struggles with a large number of streams of consciousness, it makes people addicted to this story that goes against traditional values. Finally, thank you for coming back to...
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Hermina 2022-03-24 09:02:51
David Lean is good at making epic movies, but he didn't expect to be very good at making such love sketches. The audio-visual language is excellent, the use of black and white light and shadow is extremely skilled, and the control of the story of derailment is also very delicate and smooth. Even if the protagonist struggles with a large number of streams of consciousness, it makes people addicted to this story that goes against traditional values. Finally, thank you for coming back to...
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Leonora 2022-03-24 09:02:51
Laura:"Nothing last really. Neither happiness nor despair. Not even life lasts very long." Fred:"Thank you for coming back to me." David Lean's familiar literary adaptation, a lot of psychological activities and delicate performances (oh Bette Davis Eyes ), smooth and timeless, the old swaying red apricot classic. Close-up of the final tilt and return. romance vs delirium pull two to...
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Stephany 2022-03-24 09:02:51
Laura:"Nothing last really. Neither happiness nor despair. Not even life lasts very long." Fred:"Thank you for coming back to me." David Lean's familiar literary adaptation, a lot of psychological activities and delicate performances (oh Bette Davis Eyes ), smooth and timeless, the old swaying red apricot classic. Close-up of the final tilt and return. romance vs delirium pull two to...
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Katherine 2022-03-24 09:02:51
Oh, love!~… Oh, youth!~… Oh, romance!~… Just too good to be true!~… Alec & Fred are both truly nice!~… Trevor is really kind of charming!~… Cue the day before yesterday Johnnie in Suspicion, Billy in Kes & Carol & Therese in Carol yesterday…...
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Hester 2022-03-24 09:02:51
Oh, love!~… Oh, youth!~… Oh, romance!~… Just too good to be true!~… Alec & Fred are both truly nice!~… Trevor is really kind of charming!~… Cue the day before yesterday Johnnie in Suspicion, Billy in Kes & Carol & Therese in Carol yesterday…...
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Hollis 2022-03-23 09:02:39
Meeting and parting, the dead are like...
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Colleen 2022-03-20 09:02:15
OSC-D5 1st Cannes Award...
Brief Encounter Comments
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Sonya 2022-04-19 09:02:33
see you late
This is a classic movie, a classic among classics. I have watched every classic movie no less than three times, and every time I watch it, I have a new understanding.
I heard that this movie has a good reputation, so I went to the cinema to see it on the first weekend of its release. This movie is... -
Berniece 2022-03-25 09:01:14
If you forgive me, I will forgive you
Laura's silent expression has a melancholy beauty, no earrings, no other obvious accessories, tall and slender figure, neat and elegant hairstyle, and those talking eyes, have made her beautiful enough.
The whole film is Laura's memory. She sent off the person who made her heart move at the...
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Laura Jesson: [Secret thoughts] I imagined him holding me in his arms. I imagined being with him in all sorts of glamorous circumstances. It was one of those absurd fantasies, just like one has when one is a girl being wooed and married by the idea of ones dreams.
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Laura Jesson: [Secret thoughts] I starred out of that railway carriage window into the dark and watched the deem trees and the telegraph posts slipping by. And through them I saw Alec and me. Alec and me, perhaps a little younger than we are now, but just as much in love and we have nothing in the way. I saw us in Paris, in a box at the opera. The orchestra was tuning up. Then we were in Venice, drifting along the Grand Canal in a gondola with the sound of mandolins coming to us over the water. I saw us traveling far away together. All the places I've always longed to go. I saw us leaning on the rail of a ship, looking at the sea and stars. Standing on a tropical beach, in the moonlight, with the palm trees sighing above us. Then the palm trees changed into those pallided willows by the canal, just before the level crossing. And all the silly dreams disappeared. And I got out at Ketchworth and gave up my ticket and walked home as usual. Quite soberly and without wings. Without any wings at all.
