-
Russell 2022-04-24 07:01:25
"There should be no illusions about the world of ancient Rome. The world view of ancient Rome developed to the end, showing cruelty and depravity." (Xue...
-
Lenny 2022-04-23 07:05:21
A special symmetrical structure, a metaphor for the self-denial of love. Myth 1, a dead husband takes the place of a living lover; Myth 2, a witch who blasphemes love heals a youth with erotic defect. Otherwise, the same imagery recurs, such as the taciturn Guido and the female slave who speaks a mysterious language in the labyrinth, and the three-person structure reappears; the debauched rich man drives out the self-proclaimed noble wandering poet, and the latter is rich elsewhere. . Just a...
-
Cade 2022-04-23 07:05:21
In the first part of the film, the passages of searching for the actor who stole the boy and the rich man feasting are complex and magnificent, and the passages after being escorted to the sea become simpler and more formal. The frescoes on the stone at the end summarize the various passages of the film. The story of using the dead husband's body to save the new lover at the banquet, and the couple who committed suicide on the island, the two parts are also very interesting. The whole film is...
-
Dessie 2022-04-23 07:05:21
Ancient times like Fengshenbang. Lots of characters, lots of buffoons. Eat all kinds of animal offal. ancient civilization. Various red fruits. Gorgeous shape, every frame is like oil painting. Buddhist mantras and shakuhachi appeared. Several men are fascinated by a shemale. The tits quivering around. Sex journey. Terrible corpse. Reverie of surviving...
-
Adelbert 2022-04-23 07:05:21
The Roman version of "Shadows of Forgotten Ancestors" 2333, because of the relationship between the form and the beginning is too scary and promiscuous, it is a little difficult to enter the play, but since the poet on the ground recited the incomparably beautiful poem, it has become very interesting and almost transformed. A day trip to the ancient Mediterranean, full of erotic and exaggerated imagination. The sense of CP of the two male protagonists is too strong, and Fellini's beautiful male...
-
Grady 2022-04-23 07:05:21
Great directors always do what they...
-
Felipe 2022-04-23 07:05:21
Eye-opening series, recommended for students of experimental...
-
Anibal 2022-04-23 07:05:21
More like the "Roman Style Painting" of the classical era, Fellini was obviously conceiving the ancient Roman Empire he imagined on the spot. Wandering journey, moving and changing scenes to connect these visual fragments. Although Fellini provides a polysemous text that can be interpreted (and his renditions of Greek mythology, Roman mythology, occultism, etc. can be seen everywhere), I always feel that Fellini will have a tendency to express in this film. In order to minimize it, the...
-
Jacklyn 2022-04-23 07:05:21
I was dazed and wanted to die, this is really fantasy. Why do you have to have sex with a man? ? I'm very puzzled... This master shot something abstract, any age can be abnormal, not to mention this is Rome, Fellini is the leader of Italian neorealism! After watching most of his films, I really gained knowledge... When I encounter this style of film in the future, it should be a tribute to Fellini or early Italy!...
-
Paxton 2022-04-23 07:05:21
What a terrifying imagination, apart from Calvino and Márquez, Fellini could have been a top novelist. What an absurd and unruly story, absurdly...
Fellini Satyricon Comments
-
Monica 2022-03-13 08:01:01
Yes, love is a myth
From the forty-fifth minute onwards, the film tells the story of an Ephesian woman: there was once a young and beautiful woman who was very virtuous and virtuous. She was accidentally widowed, and according to Greek custom, her husband's body was placed in a crypt. But the chaste widow did not want...
-
Vivianne 2022-03-13 08:01:01
Fragments of History and Nightmare of Modern Man: Comments on Fellini's "Myth of Love"
What is a "love myth"?
The title of the film, if translated literally, would be "Satilicon of Fellini". The two Latin names spelled together are always confusing. So before that, it is necessary to introduce what "Satilikon" is sacred.
To put it simply, Satyricon is a novel from the Roman Empire. But...
-
Eumolpo: Listen, I have a friend here, uh, just between us, whose sceptre isn't working. He was quite proud of it, as you can understand.
-
Encolpio: We've got to be happy now. I want to make up for lost time. The flower of youth withers so soon.