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Adell 2022-03-29 09:01:07
All kinds of ethics collapse in the face of drugs, and the audio-visual solidification of literary heroin. It continues the five-star tradition of high-speed rail viewing in recent...
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Sammy 2022-03-29 09:01:07
The screenwriter is a pervert, or a pervert who likes China....
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Braulio 2022-03-29 09:01:07
A very hearty viewing experience, but the final climax is not shocking enough. If the ending can completely change everyone's life, there will be an unpredictable ending that complements literature and ends up being indistinguishable from reality. But I have to say that it is too much to my taste. It is difficult to distinguish between true and false literature and stories, and the narrative technique is exquisite. It is estimated that Chinese directors will never learn it for a...
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Vivianne 2022-03-29 09:01:07
It is indeed the best work after Ou Rong [Eight Beauty Qianjiao]. The structure goes all the way to Greer-Renais, but the spirit is the Hitchcock legacy of Rohmer Fassbender all the way. The middle class and melodrama are again Douglas Hilke via Fassbender. The meta-narrative is played to perfection, and the drama is exquisite and meticulous everywhere. #2013 Top Ten...
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Beulah 2022-03-29 09:01:07
Telling an ordinary story with a clever and delicate structure makes the audience feel as nervous as walking on thin ice. The wait-and-see behind is actually the voyeuristic desire hidden in everyone's heart. The desire to steal and the fear that someone will turn around and find it is immersive under the background of the soundtrack. Literature and reality, fiction and suspicion, are...
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Shirley 2022-03-29 09:01:07
French literary atmosphere, peeping novel-like charming brushstrokes. From fiction to reality / from outside to inside / from last row to first row, and the inner reaction. Teachers' behavior is also "into the classroom" in audio-visual language. The seamless connection between different perspectives, everyone sees and is seen, and the characters are hidden in the background. Youth, comradeship, incest, rising China, another kind of rear...
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Martine 2022-03-29 09:01:07
The intricate relationship between the unreasonable and the chaotic is cut, the voyeuristic desire of people is infinitely magnified, the fiction and reality overlap and influence each other, until the last two are almost confused; think about it carefully, in fact, this film uses literature to deconstruct the film: the director/writer The mapping of readers/viewers, the immediate visual sense of "Rear Window" at the end makes people immediately understand Ou Rong's intention; although there is...
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Aaliyah 2022-03-28 09:01:08
The French middle class really has a shaky sense of vanity. The extremely secret play structure, triple voyeurism, aggressiveness between teenagers and young women, professors to teenagers, moisturizing things silently, and teenagers to professors, is...
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Pauline 2022-03-28 09:01:08
Chinese element Feng Tanghei, invincible Allen is a middle-class black man, he is even more black in the next year, and the rear window adjustment needs to be...
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Dayana 2022-03-28 09:01:08
Absolutely. I seriously suspect that this satirizes my twisted relationship with Mrs. Mann. Has my wife updated it? My wife is reading the article. This is the trash thrown away by my wife, but I have to pick it up and read it. My wife and I went bankrupt and my wife ran away, but I still have you. You continue to write articles for me. (In the end, when the teacher sat there haggard, it was exactly the same as when I read the text like a pig's liver all...
In the House Comments
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Tatyana 2022-03-23 09:03:00
The expressive power of art must have the collision of real life
I have been thinking about the title for a long time, and if I have to summarize the film in one sentence, I think this sentence is enough.
What interests me is not the plot of the film itself, but the use of literary techniques.
Teachers teach students to constantly create conflicts to increase... -
Wendy 2022-01-16 08:01:17
I love my teacher, so I live there
[Serious spoilers are so thorough, please read the movie again after watching the movie, otherwise the consequences are at your own risk]
Me, Claude Garcia, I am 16 years old this year. My mother ran away from home when I was 9 years old and my father was paralyzed. I have always wanted to know...
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Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.
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[last lines]
Claude Garcia: To be continued.