L'Argent Comments

  • John 2022-04-21 09:03:17

    The money in our hands is a tool to secure our freedom, the money we seek is a tool to turn us into slaves. For some people, any problem that needs to be solved with money is a problem; for others, anything that can be solved with money is not a problem; and for those problems that cannot be solved with money, there are many problems. money to solve. It seems that what I said has nothing to do with the movie. French/Swiss no...

  • Evangeline 2022-04-21 09:03:17

    Rewatch. Bresson represents the limits of a sense of grim and detailed realism. We see groups of characters and the classes, occupations, and objects they represent, but not their spiritual feelings. The tension brought about by this estranged angle is addicting, watching events change in a clear pattern. sharp. Relatively speaking, the relationship between material and characters, Bresson also inherited from Renoir, but abandoned the deeper meaning, simple presentation, restrained expression,...

  • Garrick 2022-04-21 09:03:17

    "The Invisible God" and "I'm Waiting for Nothing"; simple framing, plain tones; numb changes, more realistic expressions, no soundtrack; passing, indifference, helplessness, loss of conscience; close-up, close-up, omitted The resulting shot; what camera? Fuji? How to see the elephant...

  • Ruben 2022-04-21 09:03:17

    Calmly control the emotions of the audience. – Why don’t you like actors? Are they just poor mechanical performance machines? – They are phenomenal performance machines and I have a lot of respect for...

  • Name 2022-04-21 09:03:17

    4.0 Cold life, annihilation, revolves around money. Bresson was a cold and hard...

  • Clair 2022-04-21 09:03:17

    I personally think that this one made before Bresson's death is the best of all works, although I still don't like...

  • Vallie 2022-04-21 09:03:17

    Bresson's highly recognizable personal label. Not as cool as a pickpocket or a death row escape, but still an astonishing masterpiece. A mixture of minimalism and nihilism, cold and extreme restraint. The impact of several action scenes is really...

  • Gennaro 2022-04-21 09:03:17

    It is not the butterfly effect, nor is it a social problem. Rather, what exactly can despair make a person look like? . . ps: I really like the cool style of the lens. It's just that the actors really look...

  • Gabe 2022-04-20 09:02:25

    "Money" intervenes in the protagonist of the film through the "dehumanized" narrative subject, or rather the absurd "sudden descent". The hand-image still exists from time to time, but the film uses more medium shots: the juxtaposition of hands and faces. Under the extreme simplification of Tolstoy's original text, Bresson alienates the characters and their social environment and order institutions into the "others" that are stared at, and presents them with a calm (indifferent) mechanical...

  • Pearlie 2022-04-20 09:02:25

    Bresson said: The film does not rely on the pictures, but on the relationship between the pictures to convey the author's concept. If you look at a certain picture alone, it is neutral, but when it is connected with another picture, the first picture is alive and life is born. It's not exactly the life of the story itself, or the life of the characters in the play, but the life of the film. From the moment the life of the picture is born, cinema becomes an art....

Extended Reading
  • Marcella 2022-03-21 09:03:12

    minimalist cool

    #2019 Shanghai International Film Festival#

    A very unique film, the style is cold and harsh, I dare not say that I fully understand it.

    All because of a counterfeit bill. Students who can use counterfeit banknotes have nothing to do with the fact that their wealthy parents went to the photo...

  • Dee 2022-01-23 08:01:45

    The Art of Fugue

    There are 10 brushes. The most perfect movie? It is too perfect, too clean, and lacks a layer of mellow nets. The sound and picture are inextricably deleted. The robbery and the final murder are as precise as "The Art of Fugue", except that the divinity is more human.

    First-rate literature almost...

Top cast

L'Argent quotes

  • Yvon Targe: [to the guy who sent him to jail] You have me on your conscience. You have to answer for that now.

  • Yvon Targe: Wait. Everyone will be happy soon. I won't wait around for that. Believe me, it will bore us stupid. I want happiness now, on my terms.

L'Argent

Director: Robert Bresson

Language: French,Latin Release date: May 18, 1983

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