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Lolita 2022-02-02 08:03:47
It's not easy for Hara Setsuko to control the smile that seems over to most actresses. But the most beautiful thing is actually the helpless and faint resentment after the inner transformation. There are few faults in the film, but the biggest fault is that the characters, events and things are so perfect that they are "unreal". No matter the relationship between father and daughter, or the joke with female classmates at the end, there are always too many strange things to think...
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Santos 2022-02-02 08:03:47
The hardest thing to understand is the old-fashioned men who wept for the sunset and greeted the...
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Margarita 2022-02-02 08:03:47
1. Ozu photographed the forbearance and duplicity that belonged to traditional Orientals, just like the contrast between the beautiful smile of Hara Setsuko and the wistful heart. 2. The same theme of marrying a girl, like a low version [Mai Qiu], and the absence of the groom's face is exactly the same. 3. The ending is infinitely sad and moving: Zhou Ji slashes an apple alone, until he bows his head in silence, cuts to the waves, and loneliness hits his heart like a tide. 4. Still the typical...
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Christian 2022-02-02 08:03:47
Some people commented on Ozu's film, "Chrysanthemums trimmed with a samurai sword. Extravagant simplicity, exquisite tranquility, complicated simplicity, cruel beauty, frivolous debris, repressed catharsis, pure wretchedness, stereotyped humor, autocratic poetry , artificially natural, clumsy and delicate. There is death in...
Late Spring Comments
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Brady 2022-03-24 09:03:46
Undercurrents under the image
That night, Noriko must have been desperate. The aunt pressed her to get married step by step; the father might really no longer need him, and when he and Mrs. certain nodded at the theater, Noriko immediately felt abandoned; There was only another persecution that ignored her mood. At that moment,...
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Ludwig 2022-04-20 09:02:48
Chewy "Late Spring"
If you appreciate Yasujiro Ozu's movies with the mentality of many people watching movies now, you will probably be disappointed, because there are no strong dramatic conflicts, no passionate scenes, no dazzling scenes, and no funny scenes in his movies. lines. However, I've always liked stories...
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Jo Onodera: Which way is Tokyo?
Shukichi Somiya: Tokyo, that way.
Jo Onodera: So east is this direction?
Shukichi Somiya: No, that direction.
Jo Onodera: Has it always been that way?
Shukichi Somiya: Absolutely.
[they both laugh]
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Noriko Somiya: So which type am I?
Shôichi Hattori: Let's see. I'd say you're not the jealous type.
Noriko Somiya: Oh, but I am.
Shôichi Hattori: You sure?
Noriko Somiya: As the saying goes, when I slice pickled radish, it comes out all strung together.
Shôichi Hattori: That's a matter of the relative interaction between you and the knife. There's no logical connection between pickled radish and jealousy, now is there?
Noriko Somiya: So you like pickles strung together?
Shôichi Hattori: At times I wouldn't mind them.