-
Jovani 2022-04-23 07:03:40
Antonioni uses architecture to illustrate the emotional disconnect between men and women and the external and internal worlds, the present and classical paintings, frames that nothing can fill, and the confusion and bewilderment outlined by interior spaces, including doors and windows. , open and closed minds. Like the most primitive flowing water eroding the artificially transformed land, the sense of unease is condensed with the happiness and noisy utility of the cold world. In the end, the...
-
Romaine 2022-04-23 07:03:40
Antonioni's restraint makes his films seem to have no emotion, but the delicate lens language and just the right performance seem to reveal all these delicate emotions at all...
-
Lexie 2022-04-23 07:03:40
The camera lens was too emotional, and I didn't grasp the scale. Fragmented, emotionally fragmented, and protracted, the entire film feels more like improvisation. There seems to be some imbalance in the structure. The final empty shot, although stunning, did not make up for many flaws. Maybe I had high expectations before watching it, but I was disappointed after watching...
-
Jamil 2022-04-23 07:03:40
Antonioni is a complete idealist, and the repressed silence in the last seven minutes shattered all the beauty that had just happened. This is already the strongest and most beautiful story in the love trilogy. I didn't expect Europe to be ahead of us for so many years. We are only starting now for things that people have been proud of in the...
-
Sharon 2022-04-22 07:01:45
It reminds you all the time that you are "watching", whether it's the noisy and tiresome stock exchange, or dodging each other in a love scene, or the eyes that embrace each other and look at the audience separately...not the last shocking Empty mirrors are already ubiquitous in such advanced...
-
Wiley 2022-04-22 07:01:45
The power didn't come out at the end. The predicament of being a natural person under the social system, "Why do we ask so many questions? Two people shouldn't know each other too well if they want to fall in love, but then maybe they shouldn't fall in love at all." "I wish I love you less, or love you more." The main body is excellent, but some parts are too straightforward (such as ticket exchanges, nuclear war newspapers); straightforwardness itself is not a problem, but with this I think...
-
Colten 2022-04-22 07:01:45
"I wish I didn't love you, or that I loved you much...
-
Neva 2022-04-22 07:01:45
I feel this way every time I sit in the library...Is the heroine in a light and mature style? ? Sexy yet pure, elegant yet cute, the legendary Alain Delon looks like this~ Compared with the previous Italian movie, every country in modern society is really...
-
Devyn 2022-04-22 07:01:45
Sorry...I really almost didn't watch it. Interrupted several times. Too dull and fragmented really don't like it, the excess (Yongchang) is very suitable. We seem to be trapped at the crossroads of day and night, estranged from each other. It's good to shoot for half an hour, and ten minutes to old...
-
Horacio 2022-04-22 07:01:45
Materialized metaphors, sets and empty mirrors, capital and modern love. @2020-08-03...
L'Eclisse Comments
-
Kennith 2022-04-20 09:02:11
Fragment
The second black and white film I watched
The two impressive scenes are the lingering in the securities house and the house of the male and female masters.
The hustle and bustle in the stock exchange is a little different from the tone of the movie but it doesn't make you feel bad but it pushes the...
-
Erna 2022-01-12 08:01:33
Director said
"Eclipse" is the last film in the "Emotional Trilogy" filmed by Antonioni in the early 1960s. Like in "Adventure" and "Night", the protagonist of the film also loved so-and-so, but now he does not Love him again, and fall in love with another person for no reason. The film describes the emotional...
-
Vittoria: Why do we ask so many questions? Two people shouldn't know each other too well if they want to fall in love. But, then, maybe they shouldn't fall in love at all.
-
Vittoria: As long as we were in love, we understood each other. There was nothing to understand.
Director: Michelangelo Antonioni
Language: Italian,English Release date: December 20, 1962