Les Misérables Comments

Jennifer 2022-03-25 09:01:18

The French version of "Do as it should", but directly abandons the impossible imagination of racial integration, and attributes the crux to the inside. The first half is very "ethnic", and the second half begins to bend and bend. Strong conflicts and facialization of characters are both big problems. The advantage is that the irreconcilable conflicts in the community, in the final analysis, only black people are qualified to reflect on black people's...

Hilma 2022-03-25 09:01:18

A violent but dangerous road collides with the dream of reconciliation in law, and our film emerges in a gray area, staring silently and running through fog and...

Leora 2022-03-25 09:01:18

A / I have become more and more appreciative of this micro-political observation created with a mixed narrative tone. To some extent, it can be regarded as a successful example of two sides of the same as "Sorry to Bother...

Makenna 2022-03-25 09:01:18

Four-star level, more than half of it feels like a ptu script, think carefully (excessive interpretation) the daytime of this film has no time limit and no depth, perhaps this is to radiate the events of this community through the synchronicity of the plane; The ending looks very scary, I think even if it is also a resistance to the current establishment, we should embrace movies like war instead of this...

Ara 2022-03-25 09:01:18

4.5; far beyond the predicted level, a new film has not touched me in a long time, the daily humor in the first half is looming, and the transition to the second half is "reversed" one after another, which can be described as shocking; today's common themes can also be photographed movingly The power of the novel, the solidity of the script, the skill of scheduling, and the development of meaning are truly extraordinary debut novels, with a sense of complete immersion. The factional struggle...

Eduardo 2022-03-25 09:01:18

With the narrative characteristics of a unit drama, the whole film is divided into three relatively average units. Character features are introduced quickly and reused. What makes the whole film credible is not social reality, but an internal efficient call. In the end, Issa stood on the steps holding a Molotov cocktail, a very symbolic gesture, linking the hypertext, Jean Valjean and Marius. After all, it's a bit of a trick, and it's a line away from "Battle of Algiers" or "Doing the Right...

Percival 2022-03-25 09:01:18

The perspective is single, the characters are facialized, the simple logic of tit-for-tat, standing on the side is very obvious, the child is innocent of everything, the boy's transformation is very abrupt, rough and arrogant treatment does exist, but the whole incident is not all malicious. And the revenge after that is at the level of terrorists. There is still a moderate among the police, but not among the children. This is to remind everyone that the marginal and young children should not...

Ara 2022-03-25 09:01:18

The scheduling is too great, the last stair scene, the cramped space can also be arranged freely. It's not a story of ups and downs, but the pacing is great, and it tells the story of how violence nurtures and nourishes violence, and finally grows into riots. However, there is still a gap compared to last year's Cannes main...

Edwardo 2022-03-20 09:02:30

The noble lion sits in a cage, unable to contain the law of the forest where the weak eats the strong. Silent eyes wandered in the sky, unable to see all the suffering and helpless people. If venting anger can be exchanged for listening, can the cheering in front of the Arc de Triomphe dispel hatred? If respect can be gained by fighting hard and bravely, then the cry in the circus will kill the smile after all. In this miserable world that seems to be quiet but turbulent, who is going to draw a...

Ron 2022-03-20 09:02:30

There are typical design traces in Raj Lee’s script. The three police protagonists are based on the classic id-ego-superego model, representing three ways of dealing with the "parallel society" of the law. These paradigms in the character setting and plot trend mostly suppress rather than regulate the dynamic and shocking scenes, and at the same time, they have not really established three-dimensional and caring characters. This is for this quite alarming work. Yan is a big regret. The real...