Chaos

Max 2022-09-29 20:21:56

This movie is very disappointing.

Where is the disappointment?

The first is the plot. After watching the trailer, I thought it would be a wonderful case film, but in fact, this film is neither tense nor suspenseful. I even guessed the murderer at first glance. Then a number of clues were prepared outside the main line, but they were all chaotic and without tails, and even the main line itself was deviated. These will be specifically mentioned in the following character analysis.

The second is the role.
Morgan Freeman acted as a negotiator (psychologist). Originally, his acting skills and image were consistent, but the script was not strong. Except for convincing the woman who was about to commit suicide at the beginning, what he did has nothing to do with the negotiator: asking the suspect everywhere, he came to the detective; to find out the anesthetic injected by the heroine, the doctor came to pass; passed Buying records and electronic maps to find suspects, the one who cameo was the intelligence agent; the one who led the arrest was the sheriff; the one who identified the criminal by comparing the handwriting was the expert who cameo. It's a generalist in the police station, but the profession of a psychologist is completely abolished, so the film has also been downgraded from a psychological suspense film to a hodgepodge of detective fragments. In this role, it also showed one of the troubles of the clues of the show: looking for his niece was originally the motivation for his involvement in this case, but in the end it was almost watered down and invisible.
The heroine forgot who she was, she was pretty, and she was qualified as a vase. The acting skills are very good-the original intention of the script of Muju seems to be that the heroine is smart and brave without breaking away from the ordinary category. This is a very chaotic and characteristic setting, and the heroine is perfectly presented-so I see the heroine clearly Practicing boxing and taekwondo, but being vulnerable to an unimaginable point. In order to overcome his fear and save others, he forcibly participates in the action of the male lead but refuses to obey the command and admits the wrong criminal. He is obviously a "calm" doctor (I guess the female lead appeared in the scene Originally wanted to express this), the temperament also seems to be stronger, but after being overwhelmed by injuries that do not completely affect his actions, he just fell to the ground and groaned. The clue of the show also appears in the heroine. Confusion 2: The heroine said at the beginning to find a man whose father looks at her mother as if she wanted to pave the way for the love scene of the heroine and the heroine, but it’s not vulgar. Unacceptable, but later you will find that this line has magically disappeared!

The villain was too unsuccessful. First of all, he was too exposed. Anyway, I saw him suspiciously at first sight (of course, it may also be because I watched too many movies of ghosts in the police recently, and it was strange to look at police officers other than the protagonist). Secondly, the perverted ones are not unique and make people hardly impressed. Here is the biggest confusion in the play, that is, the deviation of the main line: this villain is obviously a psychopath, and the male protagonist as a psychologist is not looking for the prisoner from a psychological perspective at all; in the final confrontation, the villain only regards himself as this. This abnormal state of mind and behavior is attributed to the desire to conquer and possessive of beautiful women. Can you be a little more plain and unsurprisingly?

Qiang Lie advises everyone not to watch this film to waste their precious time.

Finally, let’s talk about the translation of the film. The English name is Kiss The Girl or Kiss The Girls, which translates into red lips robbery. With eroticism and thrills, it is a relatively successful translation. The bad part is that this villain has a special attachment to women's red lips. The bad part is that I have a psychological abnormality. I feel that I still have a little look. The result is that there is no red lips, no psychology, and speechlessness. Peachy Pursuit Order, I hurried my feet as if I was catching Xiaosan……………………

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Extended Reading

Kiss the Girls quotes

  • Nick Ruskin: How are you feeling, by the way? You feel like you're getting back on your feet?

    Kate McTiernan: I guess if I felt solid anywhere it should be in this house. I've been in it one way or another my whole life. It was my great aunt's. But I don't know. It's just different now. Something's off. I used to walk in the middle of the night down to the corner market for a quart of milk.

    Nick Ruskin: That's true. I mean, people just get complacent. It happens.

    Kate McTiernan: Would you please hand me the big chopping knife.

    Nick Ruskin: The department gives courses of self-defense.

    Kate McTiernan: I've been thinking about spending more time at the dojo.

    Nick Ruskin: Kick boxing's fine, but that's not what I mean. I'm talking prevention. We teach things like, uh, varying your routine. Keeping your lights on at night. Maybe getting a dog. I'm sorry. Does this bother you?

    Kate McTiernan: It's good. I need to hear it.

    Nick Ruskin: Just simple things like, um, carrying personal alarms. Taking your garbage out the morning of. Not using cordless phones. Anyone with a scanner can listen in.

    Kate McTiernan: What does taking your garbage out the morning of have to do with anything?

    Nick Ruskin: Night before, anyone can tear through it.

    Kate McTiernan: Who in the world possibly cares how much tuna I eat?

    [hands Nick the knife]

    Kate McTiernan: Would you rinse this for me, please?

    Nick Ruskin: Think about it. A guy could come by, say, Tuesday night, 3 in the morning, dump your trash in one of those 30-gallon plastic sacks. Haul it down to an abandoned lot and bingo! There it is. What a lady eats, how often she shaves. He can even tell a lady's time of the month. Anything you want to know. What kind of lipstick she wears, and used condoms. How often's she gettin' it? Twice a week? Three times? The same guy, different guys?

    [losing accent]

    Nick Ruskin: Of course, that doesn't apply to you. Let's face it. In your case, it's been quite awhile. Not since that, that surgeon. What? Six, seven months ago? You were special, Kate. Do you have any idea how much time I gave you? Months. Yes, months. I sacrificed for you, but now I'm going to show you sacrifice. What are you going to do? Are you going to cut me? Do it!

    [Kate cuts Nick's stomach]

    Nick Ruskin: Good girl.

  • Alex Cross: Don't do it, Nick.

    Kate McTiernan: Alex.

    Alex Cross: Let's talk about it, okay? You want to put the lighter down, Nick? Please?

    Nick Ruskin: She has to know.

    Alex Cross: She knows, Nick.

    Nick Ruskin: Then why don't you shoot me?

    Alex Cross: Ah, I don't think so. Muzzle flare, room full of gas, all that, you know? Look, Nick I'm gonna put the gun down. Look, see? There now. How's that? I want you to think about this, Nick. If you do this, no one will ever understand.

    Nick Ruskin: Oh, don't mindfuck me!

    Alex Cross: No, I'm not, Nick.

    Nick Ruskin: See, Kate? It's all about building rapport. You use the subject's first name, and your tone, you gotta keep it soft and steady.

    Alex Cross: Establish eye contact, seek his level.

    Nick Ruskin: You wanna know the truth, Alex? You're the one who really needs help.

    Alex Cross: Well, enlighten me, Nick. Tell me what the truth is.

    Nick Ruskin: Truth is looking at a beautiful woman, like our Kate here, and saying to yourself, I gotta have that. I gotta break her down. It's your basest animal self. Dig deep, Alex. You'll recognize him. He's ugly.

    Alex Cross: I've run into him now and then.

    Nick Ruskin: Go ahead. Reach for the Glock and take me down before I tell you about the 10 days I spent with Naomi. 10 days, Doc. Things she'd never tell you. My brown sugar, face like an angel. Perfect, every inch of her. You never knew Naomi. Not like I did. Deep down, you envy me that. Say it.

    Alex Cross: I don't work like you. I don't, hate.

    Nick Ruskin: You only wish you had the courage. Good night, sweet Kate.

    [Alex shoots and kills Nick through a carton of Milk before he can kill Kate]

    Alex Cross: Kate. It's all right, Kate.