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sound of Music
Jayne 2022-04-20 09:01:17
The Sound of Music is a movie that feels love, warmth, and joy. The first time we watched The Sound of Music was played by our English teacher when we were in elementary school, and we also rehearsed the show. I still remember Mrs. Maria singing on the lawn with her 7 children, I remember the deep and reserved Colonel, I remember the good-looking puppet show, I remember everyone laughing when the Colonel's daughter Lisa was secretly dating, and I remember even more. The popular music there - "Duo Mi", "The Lonely Shepherd", "Edelweiss", "The Sound of Music" and so on. "Duo Mi" is undoubtedly joyful, singing happily on the lawn makes children's hearts colorful and loving. The most touching thing is "Edelweiss". In Austria, Edelweiss symbolizes bravery. In the movie, the colonel refused to serve the Nazis and sang this song when he decided to leave his hometown. He sang and led the chorus, pushing the film to a climax. The line "Edelweiss, Edelweiss, protect my country forever" is the Colonel, the voice of the people under Nazi rule. Through music, I heard people's hearts, people's emotions.
Extended Reading
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Wayne 2021-10-22 14:40:01
It’s a great movie with a long period of singing, which has been passed down to this day.
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Antonio 2022-03-24 09:01:24
6/10. The use of space and light is beautiful. Maria pushed open the closed iron gate and walked into the middle of the empty house. The footsteps hit the floor and made a sound. She couldn't help but perform two dance moves, bent over and bumped into the angry Colonel Push. Opening the door, the colonel's heart was like this empty and silent space, trampled by Maria who brought vitality; Maria returned to the monastery to escape from love, and the shaded interior glass window projected a semi-diamond-shaped light position, Mary and her mother dressed in taupe sing near the window, the contrast of light and shadow symbolizes that sincerity is the key to opening the window of the soul; the kiss in the silhouette-style pavilion is consistent with the night scene of the eldest daughter's garden tryst, only for the characters The contours are lighted, and the local lighting in the dark background renders a deep and pleasant emotion; the singing competition on the run, the stage where the colonel's family stands is very bright, and the dark surroundings are densely covered with Nazi surveillance, full of unpredictable threats. The play is too classical and easy to read. They all turn big troubles into the future development of the protagonist, such as the mischief of the seven children and the harsh management of the colonel, all of which are resolved by the kind Maria and make her transform and integrate into the environment.
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Liesl: [upon receiving her first kiss from Rolfe] Wheeeeeeeeeee!
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Maria: Reverend Mother, I'm sorry. I couldn't help myself. -The hills were beckoning and... the sky was so blue today... and everything was so green and fragrant, I had to be a part of it. The Untersberg led me higher like it wanted me to go through the clouds.
Mother Abbess: Suppose darkness had come and you were lost?
Maria: Mother, I could never be lost up there. That's my mountain. I was brought up on it. It was the mountain that led me to you. When I was a child, I would come down and climb a tree... and look in your garden. I'd see the sisters at work and hear them sing... Which brings me to another transgression, Reverend Mother. I was singing out there today.
Mother Abbess: Only in the abbey do we have rules about postulants singing.
Maria: I can't stop wherever I am. Worse, I can't seem to stop saying things. Everything I think and feel.