"The Skin of My Residence" does tell a good story. We can't detect the psychological activity of a transgender person who doesn't want to change himself, but is also avenged by the victim's scientist father for an accidental drunken sex. He changed from a man to a woman, and in the end she succeeded in revenge. From the end of the story, I can see a little taste of "What Happened to Nora After She Runs Away". Does anyone in this society recognize her? Who else can prove that she is Vincent? Is it possible to just rely on this old buddy in the tailor shop? What does Maria's design mean in the story? As a real woman, she should have insight. She clearly understands what kind of woman is more reliable. She doesn't believe in Vincent, a vengeful woman, just like she doesn't believe in her rebellious son. She is the only real woman in the story, who sees the world from a real female perspective. I think Lagarde's scientist's time structure is also quite satisfactory. A typical science madman happened to meet his daughter's victim, so he completed his own scientific experiment on GMO along the way. There must be some thoughts on the scientific proposition of the director himself. As for Vincent, it is wrong for him to be sexually promiscuous after drinking, but if he is directly killed in the motorcycle section, there will be no human experiments within six years. The story itself is a story for the sake of the story, and there is no more in-depth thinking in it, and the probability is limited. But it can't be denied that the director's ability to transform the rotten into a magical narrative ability, editing techniques, and the propositional factor of the story itself have attracted the attention of a large number of Chinese audiences.
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