plot is a bit too inexplicable! !
It’s only an hour and a half. It’s really not that I’m too lazy to shoot a commercial film because it’s too casual! !
Later... from RA handsome cry! ! After calming down with the inexplicable mood of the plot, I think it should be like this: the
movie is basically a classic disaster scene: for example, what to save the son, what to lead a group of people to escape, what looks like a jerk is actually the key Always have the courage to sacrifice. What kind of disharmony before the disaster, all the family after the disaster... The character setting is also the male and female leader and the small male and female leader, two amusing comparisons, one external bastard is kind and the other cannon fodder is used to turn inner activities to increase contradictions , A group of people who are used to die and a group of people who are used to save... It's almost standard, okay? !
The problem is that none of these bridges are in place...?
For example, the dominant role of this bastard... Finally ran into the tank to block the door for everyone, every minute is the rhythm of heroism, what "I can use it to save people after I give you the most important thing [!] Keep it safe for me." This kind of dialogue, what the previously conflicted character cried and called for him to come back, but why did it just go so far in the end? ? "Self-sacrifice" needs all the groundwork, how can the last way to hang it to cannon fodder? ? It shouldn’t be: if you don’t get blown away, other people will suffer, so you either left a last word or pretended to be a strong confession of your mistakes and moved people. I'm sorry" and then blown away...is this setting? ! Why are you so dead without feeling? = =
Another example is that the male and female masters have their own settings of losing their wives or conflicting with their husbands. Why are they so easy to get together in the end? = = [But no I’m still very satisfied with letting RA go to the kiss girl. 233.
There is also the sewer section. How do I feel that there is no difference between the two winds before the eye of the storm and after the eye of the storm... Except for being blown up a little, there is no sacrifice The co-ordination of the "self" bridge feels that this setting is meaningless...
and where did the black people in that church finally go? ?
As for the form of the pseudo-documentary...it’s nothing bad, but it’s not a documentary after all. It feels like the producer wants to get close to the real feeling of the documentary, but if you want to do this, can you not set it according to the standard configuration of a disaster film? ! For example, where the eldest son is flooded, there is a signal suddenly, and half of the message is left to the father, and the battery is out. Then the father here easily receives it and waits for the son to leave the last words and just rushes to save the person When I felt like it was over, my son was going to die, but he was saved...what is such a dramatic thing that is not standard? !
The standard configuration is the standard configuration. You can also take a good picture of it! ! The whole film feels a little too casual, right? ! No sense of innovation at all...? !
So this is probably the so-called commercial film... It's almost brainwashed by the standards of various Nix cameras, computers, and X products ==
--------------------- -------The following RAA idiots are ignored ---------------------------------
But in fact at the beginning The purpose is to lick RA! ! ! ! It was really bad when he appeared for the first time, the voice was ah ah ah ah, and the accent changed or something ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah Dad or something ah ah ah ah ah ah smile ah wink eyebrows ah my RA ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah
ah ah ah poke I’m dead... I’m exposed when I laugh, ah, ah, ah,
so basically I can’t see the other aspects of where RA appears, I can only stare at and lick prprprprprpr... So don’t tell me about it. Ah ah ah ah ah!
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