Koreans are also proving themselves

Aaliyah 2022-11-17 02:07:29

In my influence, Korean films have their own characteristics, but like American films, they can only be watched as serials, entertainment.

"The Host", it's an award-winning Asian best film, so I'm curious to know why a Korean film would be the best Asian film, and a Japanese film would be the best Asian film, I'm not surprised, Taiwanese film It is not surprising to me to be the best in Asia, and it is not surprising that mainland films are the best.

Of course, it's not that I've always had a bad impression of Korean movies. Korean director Xu Qinhao's "Spring Die" and "August Photo Studio" are all good. These films are all made with care, and they also need the audience to watch them carefully. The themes are also simple. Lover, lover, faint, helpless, gone.

But "The Monster of the Han River" talks about a lot of things:

First, politics, when it comes to politics, of course, it's anti-American. Koreans are really jumpy. Directly pointed at the American troops in Korea, despised the stupidity and boredom of the United States, and scolded the Americans from the side.

Second: the presentation of the oriental spirit. In Korean films, there have always been many little people, but there are no big heroes, but the little people also stand up, and the little people will also sacrifice their lives for their own families. In a family, men, women, the elderly, and children are all tenacious and brave. Although they have many shortcomings, they are very real. Compared with the American habit of YY, it is really much better.

Third: The truth of the dark side is far more shocking than the beauty in YY. There is no more poisonous person than self-deception. People of the older generation, habitually giving gifts, reminded me of my parents, and the journey has been difficult. Today’s beauty, I am well-deserved.

The final ending, as I expected, I have always hated the perfect ending, it was originally YY, I think someone will always pay for it, indeed, the departure of the little girl made me understand the director's mood, he is A tough and pragmatic person.

Sacrifice, the American word, how poignant, with Nordic goth music, is very intoxicating. But it is precisely the Easterners who truly understand the meaning of the word, the meaning of family, collective, and country, which is not something that a nation like the United States with a high divorce rate can understand.

The Koreans did a great job this time.

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Extended Reading
  • Ulises 2022-04-20 09:01:43

    I still remember being forced by my best friend to watch with her, only my best friend has bright eyes in my memory

  • Archibald 2022-04-24 07:01:07

    Rewatching it is like watching a new movie. Feng Junhao is in trouble with animals? However, this is not a simple animal, but a monster that symbolizes the blending of the boundaries between humans and animals (or that humans exert more influence). In Haraway, as another representation of the post-Anthropocene, we will coexist with this trouble (the Crusus monster) that makes us a powerful tool for critiquing the capitalist era. After the monster forces society into a state of emergency (Agamben's favorite state of exception), it pierces the constructed community and gives us the opportunity to witness the game of international politics, social management and control, life in this state. A series of things Feng Junhao wanted to satirize, such as his living state. The most touching part of the movie is the search for Hyun-seo, and she and her family have become very unhappy in the Monster Chronicle. After a series of extraordinary schedules and loaded allegories, the movie leaves us with a shack that glows in the snowy night, using this to symbolize that little bit of "happiness" we can hold in the midst of the chaos of the world.

The Host quotes

  • Mr. Yoon: You are dimwits, right to the end. I'll see you in hell.

  • Park Gang-Du: [Sprinting with all his might along the bridge after the monster] HYUN-SEO! HYUN-SEO, IT'S DADDY!