"return"
A political metaphor movie, the Russians should seem more emotional. It turns out that the source of the eight-year-old child in Let the Bullets Fly is the father who disappeared for 12 years. I still have to watch more movies to connect the creative ideas that these directors learn from each other.
First of all, I found more and more clearly the secret between the mediocrity and the master, the small things, the importance of details, the three-dimensional depth of the characters.
The information fusion is slowly peeled off in the plot, which is higher than the scarecrow's narration.
Full of cool atmosphere, thanks to the color palette, and the soundtrack with a little sadness and suspense.
The older brother is braver, so he is closer to the masculine father.
Personality Analysis:
Brother: Reckless, lack of fatherly love, worship strength. Bravely pursue what he wants. From diving in front and fighting with his younger brother, it can be seen that he will do things he does not like in order to obtain the affirmation and acceptance of the other party.
Younger brother: timid, lacks father's love, is spoiled by mother and dares to resist. It can be seen from diving that he is very insistent on himself, will not be disturbed by outsiders, and is more arrogant.
Characters reach a critical point to climb ladders and do what they fear most. Only in this way can salvation be achieved!
The branch was originally a tool to help the car move forward, but now it has become a tool to move the body forward, which is a kind of caring and metaphor.
"My feet are soaking wet." "Take it off."
At the last moment of the film, the lines are still in line with the characters, which is a life-like story for you to see.
study notes:
"Return" is loaded with highly symbolic allegorical tragic stories to tell the most fundamental relationship between father and son, and to narrate the rational and cruel world brought by fathers.
"Return" reaffirmed and continued the Russian film thinking represented by Tarkovsky.
'The Return' is a "canon in cinema, stepping into a deeper, more fiery level, far beyond what it ostensibly foretells.
Freud believed that a person's thinking and behavior are controlled by the psychological defects of his childhood.
This is the third time that the high ladder has appeared in the film, and Ivan has shown great fear of it in the first two times. And this time, Ivan defeated himself and climbed the high ladder. The father happened to fall at this time, and the death of the father was also the growth of the son.
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