The movie is too light. Movies narrate history, narrating a person's life history often makes people feel that they have not yet come, and they have doubts in their hearts, sighing about the ups and downs of life, but there are too many questions, lying here, the movie is a mirror of smiles and tears. The figure is frozen into a frame of fragments. She is a legend, but she has not been able to reach the touching and expected touch...
What a pity, because how much I like Audrey Tautou in this movie
... Who else is the same... Also Rimbaud ("Total Eclipse"), Wilde ("Wilde"), Rodin's Camille...
Who turned their names into legends... These endless remakes of movies, repairing and rebuilding how much history behind these names The immortal love we have been waiting for - as if this is a curse, these amazing women are thus defined in the joys and sorrows of life and death and lifelong wanton or loneliness. Chanel has already refused to compromise on marriage in order to keep each other in love. She already has peace of mind. She has found a face that fills her heart with a smile and hopes to rely on and cherish it. Like a child, she was reluctant to say goodbye in the early morning when they finally met, and I don't know how far It's a goodbye to see each other again...
This is how love is built, endured, and proved in loss. Death engraved the only true love of her life into eternity. And she was really unmarried all her life, she described all her dreams, her love, and her dreams in the clothes that women rejoiced and admired in the world.
Is this history or a light and shadow retelling of the film? All this sad, infinite beauty, the stories that drowned Gabrielle and carved Chanel into legend...
Much like memory. Are the memories really real... The past that overlaps every moment of life, those fragments that start with "that day", "that time" and "that moment", are so beautiful that people can't help but dream. Cherish the thoughts, and when people think of them, they will have soft power in their hearts, and when they read some sentences and see a fallen leaf, they will be stunned to cry. After the day and night, it gradually becomes a kind of warm illusion, which is gradually distorted. I can't be sure if it really happened...
so I always feel full of hesitation in such movies, they are portrayed so beautifully, as if the memory is like a hallucination, and it is absolutely beautiful, even if it is madness, tragedy, loneliness or despair ...their story itself erodes only these moments, the little Chanel stared at the bright light and shadow between the branches and leaves all the way with clear eyes, I don't know since then she was abandoned by her father and forgotten... She and her sister sang in the coffee-colored tavern, they were young girls The whispers and the superficial denial of the love that she was looking forward to, she was penniless to join the officer as a turning point in her life, she listened to the sound of his piano, she looked up from the book with her messy long hair and saw the tenderness of his smile. , he and her embraced at the grand ball and revolved the most solemn and sincere love. The seaside was the only happiness for him and her after they were completely desperate...
Never be afraid of the moments.... It's as simple as Tagore's sentence...
Only in movies and memories, there are the most beautiful moments...
and only in movies, the success of this ending is only after a mirror change... After time is gone, completeness is no longer meaningful, it is no longer needed, it is no longer remembered ... just these moments and the end result, muttering a light name into an unforgettable legend...
lol. So what to say about this movie... Coco Chanel is not here. What is here is just a love that breaks like a poem, there is a fragment of the years before a girl's success, and her clothes that are so unique in that era... So this is not history, not reality, not records, but directors and actors, A memory opened with a name. I like the poetic colors in it, but it's a pity that I didn't move more deeply...
ps The sad thing is Audrey - seeing that the angel-like Audrey Tautou is no longer young... She sings the girl's bright and lovely song, and still has some kind of cold traces of the years. However, her eyes are always clear. She should be the Chanel who has successfully entered immortality. It is too suitable...
ps French movies without subtitles...caused a lot of complicated understanding work...sigh. However, I finally saw the movie that I had been waiting for for five or six months... Although I was waiting for someone to watch it together.
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