It seems like a random walk, but so many well-designed scenes are arranged, all the factors that may cause interference and unnecessary movements are removed, leaving only the most perfect display angle for the performance space, as well as the most concise and most concise. The direct picture allows the audience to observe and feel the delicate interpretation of the protagonist more immersed in it, and try to make the composition and movement of the camera directly imply the change of emotions. Easily crush some so-called assembly line works that pack a petty bourgeoisie. In terms of content, the film interprets Abbas' thinking on the value of replicas, and packs this thinking into the global theme of gender relations, thereby using the same story to additionally express what he believes to be misunderstandings It's the truth that keeps love alive. In the expression of this theme, the discussion in the first half of the paragraph serves as a guiding light, helping the audience to better engage in the ambiguous plot that begins in the middle, and the closer to the end, the characters' lines become more and more The interaction between the protagonist and the supporting characters or scenes is more and more intertextual and suggestive. In the end, the suspense and openness of the story reaches its peak in the long shot at the end. The value of the replica and the original seems to be no longer separated from each other in the bells of enlightenment. What comforts the heroine is the re-emergence in the misunderstanding. The long-lost value of love, and it no longer matters whether the object of this misunderstanding is the original or a replica.
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