Ella, a Frenchman living in a small town in Tuscany, runs a gallery with high taste, and one day she attends an exhibition by British writer James Millerprovides a deep dive into the authenticity and inevitable affectation associated with art. Ella seemed particularly fascinated by James' passion for literature, and she then invited him to take a tour of the beautiful surrounding landscape. When Ella and James were mistaken for husband and wife, the two suddenly had a lot of fun. They really pretended to be a pair of intimate lovers and spent an entire afternoon discussing love, life and art. They do look a lot like an old couple who have lived together for a long time, and Ella finds herself seeming to have a crush on the slightly older novelist. But after all, they decided to pretend to be husband and wife on a whim. If it continues like this, it is likely to become a real love, because both Ella and James gradually realize that they seem to be really suitable. other side. In the process of excavating the nature and essence of love, marriage and art together, they are constantly expanding the possibilities, and the disguised feelings can also have profound meanings as if they existed in the real world
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Certified Copy movie plot
2022-03-27 08:01
Extended Reading
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Florian 2022-03-28 09:01:14
The concept of marriage in the debate is an irreconcilable contradiction between a man and a woman entering marriage. Time has stolen a man's passion for his wife, but he has stuffed his wife with a bottle of sensitive eye drops; ”; everyone can create their own work, and something has meaning because of it; her husband stammered her name-“Ma.. Ma.. Mary”, but it sounded to her. a love song.
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Misty 2022-04-02 09:01:14
I also completely melted when Binoche's tears fell, and that was the moment when she was seen as a spectator in other people's narratives. Starting from the perspective of the audience under the stage, and ending with the devastated creator leaving behind a more beautiful scene, accompanied by the sound of the bell, this is a kind of introspection about the appraisal of art works. In addition to the physical mirrors and window frames that appear in the film, the cultural relics in the restaurant, even the nationality and language of mothers, children, newcomers, elderly couples, can be compared one by one and returned to real life to become their own evaluation system and feelings. The copy of the original work is played as a fake, and it is excerpted. Whoever made it, the value of its existence is formed by seeing and being seen. The leafless garden is beautiful, ugly, good, evil, true or bad, and anyone can comment. But it can't match the most important, the fatherly advice of Claude Carrière, the great screenwriter who just passed away this year, to show more practical love to the people in front of him. The retrospective exhibition after a five-year interval has been revisited in the archives, and it is confirmed that it is my favorite Abbas.
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James Miller: I'm afraid there's nothing very simple about being simple.
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James Miller: It seems to me that the human race is the only species who have forgotten the whole purpose of life, the whole meaning of existence is to have fun, to have pleasure. And here is someone who's found their own way to do it. We shouldn't judge them for it. If they're happy and enjoying life, we should congratulate them, not criticize them.