Kan

Holden 2022-04-22 07:01:55

Gradually move from the off-topic to the on-topic.
Seeing breaking bad gives me the feeling that America is really like that. I mean, America does say that the switches used in the show are the same as those in our apartment. Everyone lives in a house and lives a decent life, but they still can't get rid of the shadow of poverty. Well, I just wanted to say that living in a house is very common.
Then look a little further away. what! The street looks very similar to the path in front of us, the stop sign on the side of the road. Only after you understand what stop sign means and watch Jessie run through the stop sign in anger, can you appreciate the light humor in it.
But this resemblance only gave me an understanding of the daily behavior of the characters in the play. When it comes to the degree of similarity between character relationships and those in real life, I think a TV series is a TV series.
From a screenwriter's point of view, this screenwriter is definitely a very good screenwriter. He is not in a hurry, the story is in his hands, he is a story weaving, and he knows how to weave a story long enough to tickle your appetite, but not to stink your appetite.
In this frequent weaving, delicate knots will also bring a lot of surprises. The first small burst is Walt's self-made throwing gun to get the drug money back from Tuco. The screenwriter knew where the audience's G-spot was, he didn't tickle it, he just stabbed it.
There was an episode in the first season of a family meeting at Walt's house, where speaking pillows were spun around in everyone's hands, and different people expressed their opinions, drawing a step-by-step picture of Walt's embarrassing situation. The fiery and rambling denunciation fully portrays the embarrassment of Walt's environment. Then, a whistle sounded, calmed down, and slowly listened to Mr. White's helplessness.
That chat was one of my favorites, and he lived up to my expectations for where a plot would go.
The subsequent plot continued to the previous level, but the surprises became less and less.

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Extended Reading
  • Selmer 2022-04-02 09:01:15

    One, two and three are all good

  • Jaiden 2022-04-05 09:01:07

    It's too long, and I want to give up completely in the middle. Plus, a teddy bear that spans an entire season turns out to be like this, it's such a pain in the ass. . . I don't know what growth or turning point will follow, but the two protagonists in this season are so annoying, one is selfish and the other is a second-hand idiot. . . Seeing all kinds of drug dealers so flamboyantly, but in the end, only one name was left, whether the gangsters are completely blind, the police are incompetent, or the audience is an idiot. . .

Seven Thirty-Seven quotes

  • Hank Schrader: [at a crime scene] Oh, this is beautiful. Hey, someone call Jay Leno. We got the world's dumbest criminal. This guy wasn't murdered. Look. Big stuff here was, uh, moving this guy's body when the, uh... the stack must have shifted. Crushed his arm, pinned him here, and he, uh, he bled out.

    Steven Gomez: Poetic justic. Oh, I love it.

    Hank Schrader: Don't you just? Hey, hey, get a photo of me with this guy, all right?

    [posing next to the body]

    Hank Schrader: Old stumpy here. Make sure you get the stump in there.

  • Jesse Pinkman: [processing ricin] That's all it takes?

    Walter White: That's all it takes.

    Jesse Pinkman: So, now what?

    Walter White: Now we arrange our next meet. In a public place this time. Nice and safe. Business as usual. And, uh, after we sell him our usual four pounds, then we'll pull this out. "By the way, Tuco, this is a new meth formula we've been working on. Would you care to try it?"

    Jesse Pinkman: Okay, well, what's new about it? I mean, you know, just in case he asks. What do we say?

    Walter White: I don't know. Whatever you want. It gets the user insanely high. I mean, how much salesmanship do we really need? That degenerate snorts anything he gets his hands on.