8. Pay attention to the setting of reasonable light sources: two people each give a yellow light source
Pay attention to the male protagonist's actions: unplug the phone line and let the female protagonist sleep peacefully. It's an action against a granddaughter, an action against a wife, but by no means an action against a prostitute.
9. The female protagonist puts on the student's tube socks on the male protagonist's car, showing that she is walking between two identities
Reminds me of Zhang Yang's "Green Tea"
10. The turning point in the play: first the boyfriend gets in the car (the intrusion of a third party) and then the heroine also gets in the car (the three are placed together in the same space)
At the same time, the professor said that he was the granddaughter of the heroine, called the granddaughter of the heroine, and the grandson of the hero. It reflects that Abbas likes to set fiction and dislocation in the role.
11. Constructing a plot in a small space
Use mirrors and reflections. In Figure 2, there are four mirrors, plus the reflection of the glass. Pay attention to the composition in Figure 3: The composition card goes to the hands of Professor and Akiko Red Nails.
12. Pay attention to the design of this shot: at first it felt like a gauze was covering the frame, and then I realized that it was the next door neighbor who was peeping through the curtain.
13. About the setting of the neighbor characters: In the end, there is a wooden window in a brick, a small window in the wooden window, and a branch of a tree in the middle, as a sign of the character's fading out. The closing remark is still a voice-over: the scolding from the neighbor's crippled and irritable younger brother. Revealing the essence of life is actually not love, but unbearableness.
14. The ending shot of the last scene is consistent with the beginning shot of the male protagonist looking at the female protagonist through the curtain.
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