The 15th #法罗岛电影节# The 2nd screening day of the main competition unit will bring you "Love and Death". Below, please see the evaluation of the front-line absurd men and women who spoof life!
Matsuno empty pine:
Spoof of Russian literature and Bergman.
Cornice:
Laughing and memorable is what makes him wonderful.
We Min Hee:
Love, faith, and death are basically the three basic elements of Bergman's work.
Mozart Lensu:
Full of bantering intellectual comedy, Woody Allen is one of the rare people who dropped his books but is not objectionable.
The Queen of the Faroe Island Empire:
Old Woody is a master of yin and yang with a sharp needle, and intensively poked the audience's laughter within 85 minutes.
Mimi:
Are the injuries done in the name of "love" because the mind and body are always separated? Watching Bergman's Dance of Death did not cry, watching Woody Allen's Dance of Death crying.
RIVER:
Unforgettable those light-weight philosophies and wonderful deconstructions of love and death, and even more unforgettable Woody Allen's final dance with death. It was the indifferent smile after so many years wasted, and it bloomed on the screen. Surprised brilliance. Diane Keaton is so beautiful.
Dazhao:
If you can maintain the high-density smile of the first half hour or have an obvious motif, you will give 4 stars. Woody Allen's interaction with history is very interesting, and the whole staged ridicule is not dramatic. Love is always derailing, chasing, death is the most daily thing, let us dance with death.
Pincent:
The large-scale fan comedy of Bergman and others, even "Mask" has been reproduced. The form of Shakespeare's costume stage plays is used to interpret the topics and formats that celebrities like to pay attention to (such as Keaton, Chaplin). It was a spoof from start to finish. It turned out that these old men had played it decades ago. Diane Keaton was really in love when he let go of playing with him.
SONGMJ23:
The film seems to be full of tribute to the classic banter, but in fact it accurately extracts their artistic core. In addition to comedy as a genre, it is Woody Allen's medium in which the original serious and obscure themes and philosophies contained in the material he wants to deconstruct are reduced to simplicity and depth to shallowness. In those classics, when love and death are intertwined, there is often an indescribable sense of depression and seclusion. Woody Allen has released the tension in a clear and absurd way.
No one at midnight:
It is still a genius play, and it is not only reflected in the aura of the golden sentences that continue to be output in the lines, but also the intensity of thinking is sharp. The literary masters and movie lighthouses worshipped by the literary and youth pilgrimages are all in his hands. Knead things at will, and he has the confidence to resolve your indignation, approaching the ultimate realm of "adult bean"-style wanton deconstruction and creation of spoofs. My favorite is the relationship between the male and female protagonists. The male protagonist gets the love of the dream goddess through the mourning policy the night before the duel, but when he returns safely, the female protagonist falls into a dumbfounded and lost sense of change. Then when he really was about to die, the expected carnival no longer appeared. She can still miss this man, just as she used to "love" this man once before he dies, or hope for him to "die" in front of his immense love, love that comes prematurely will inevitably die, and it will not die. Your love will finally bloom. The actors collectively present a state of great reading without a soul, but it is appropriate to put it in this movie. Diane Keaton is indeed the only soul mate who can understand his emotions in the true sense.
DAY2's main competition magazine will be released later, please wait and see.
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