The montage at the beginning is like a blast! (Of course, I said that after reading the whole chapter. I was completely confused at the beginning.)
Kieslowski likes to use death as the beginning of the story. In Blue, it is a car accident, and in Song of Opportunity, his father died of illness.
I think the most interesting thing about Kieslowski is the junctures that are intentionally or unintentionally sold in the story, such as the montage at the beginning of Song of Opportunity. There are also characters in different story lines in different story lines (both in Blue, White, Red and Song of Opportunity). This seems to be a fatalistic argument. On the surface, Kieslowski is showing how much a person can't catch the train. Is this a deeper voluntarism?
The ending of red is the departure of the ship, and the song of opportunity is the take-off of the plane. The interesting thing is that the shooting methods of the two are almost the same. Compared with the despair in the song of opportunity, the survival of Hongli may be the hope of the old Kieslowski after the vicissitudes of life.
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