Although the heroine only appeared in the third episode, I was attracted by this cool drama character the moment she appeared: Yi Rui - a sweet-looking, German, intellectual, physical and beautiful little devil with a comprehensive development of high IQ who has 76 A social media star with 10,000 followers, tit-for-tat and anti-social at the same time. We have seen too many passive screen female images of silly, sweet and slaughtered people. Such images are no longer pleasing and difficult to empathize with. Although the heroine in "Youth as a Teenager" not long ago fought back fiercely in the end, But when I faced bullying at first, I was cowardly to avoid it, which made me feel very distressed and distressed as an audience (I didn’t say that you are not good as a teenager) This may be more in line with the psychology of ordinary people in reality, but after all, film and television dramas are film and television dramas. For the drama, I personally prefer the dark type who fights back from the beginning, such as the adolescent rebel characters such as the male and female protagonists in "Go to the World". After all, we are already depressed enough in real life, so we might as well be in the virtual world Substitute the protagonist to punish the social scum?
The first encounter between the heroine and the hero in traditional Korean dramas is usually romantic and throbbing, but at the moment when the hero and heroine meet in this drama, the hero tries to stop the quarrel between the heroine and the classmate's mother as a passer-by. At the same time, the heroine is refreshing She slapped the "villain" head of the district office with a slap in the face, hahahaha, which directly showed that she was not the kind of little Mary Sue woman who needed the protection of the male protagonist, and also constituted the initial point of conflict between the two.
But watching Korean dramas still can't escape Zhenxiang's theorem. After the heroine said "it's tiring to live", she ushered in the first "death crisis" in the play, and then the hero staged a botched version of "Hero Rescue". Beauty", and constantly creating encounters can be regarded as a routine to promote the plot
The so-called "anti-social personality" and "performative personality" were explained in flashbacks about ten years ago, that is, the biography of characters often mentioned in drama classes: Ah, it was formed since childhood. After pushing my classmates to get the first place, my mother praised me instead: The benchmark for good people and bad people is ambiguous, but the benchmark for excellent people is very accurate. Children who come out of this way of education must first be selfish.
I have met twice so far. I have not read the original book, and I still have doubts. Will they develop according to the sexual line, so the third encounter gave me the answer: Yi Rui was harassed by a wretched man (the wretched man who fell on his back) A super handsome scene) broke into the men's toilet and met the male protagonist who was urinating (this kind of encounter is no longer there), so the male protagonist asked the female protagonist in a very rational way if he needed help, and finally beat the wretched man and took the woman with him. The two or three people ran together for a few streets, and then another small climax appeared. The female protagonist exposed the second female’s report, which was full of gunpowder. By the way, it also opened the prelude to the triangular relationship, and then went to drink with the male protagonist and then kissed (not bad). I love it directly.) Compared with those eight-episode kissing laws, this fast-paced love line is more to my taste. After all, realism is the core of the show, and love is just to expand the audience and add icing on the cake (Sweet Night Doorway) The subjective shot of meeting the male protagonist and the headband of the feet is very similar to shooting a girl) High-energy spoiler dividing line ————————————
This is so funny, hahahahahahahahaha The sister's change is also very warm
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