I really like a movie - "Barron".
It's an Iranian movie. Therefore, there is a subtlety unique to the Middle East.
After watching a lot of open Hollywood, I think I always like it. Because I am a Chinese woman, I like a kind of beauty like Kawabata Yasunari.
Forbearance is beautiful in my eyes.
The war caused the girl Barron to follow her father into exile. With no household registration and her father injured, Barron disguised herself as a man, worked to support her family, and struggled to survive. He was targeting her at first, and because of her appearance, he robbed him of the comfortable job that belonged to him. He fell in love with Barron when he happened to see her brushing her hair. He helped her everywhere, gave her all his savings but was abducted by the same poor people. The good man let the old man's deed in the name of Allah drift away with the water. To help her get home, he sold important ID cards. (In the war years, people without ID cards were treated horribly.) Finally he went to see her off, and in the heavy rain, he picked up her shoes that were stuck in the mud. She didn't even touch her hand. When she was chased by the police, he ran away, followed him with a long shot, chased after the police, and fought them hard. In these difficult years, he held up a warm sky for her. This love is so deep, he never said anything, and he didn't say it was his own when he gave money. He doesn't take credit, doesn't ask for anything in return, he's just driven by vague feelings. Implicit and deep, he silently helped her when she needed it most.
The charm of Middle Eastern films lies in the heavy rain at the end of the film. He stared at her shoe print, and she even pulled the veil at the last minute.
Wu Hyuk in "I'm Sorry, I Love You" has this forbearance.
Sun Baiyang in "Golden Branches Desires" also has this forbearance.
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