Quentin's lightest style, 150 minutes long, is a superb narrative, rhythm, and character creation. The narrative line of "White Night" has shocked many readers, but Quentin tried it in the 90s. It is neither bloody, violent, nor exaggerated. The daily atmosphere is mixed with gangsters, suspense, and plot embellishment. The story of a loss of love is well told and reasonable. Quentin's narrative skills are too strong, and even a woooo that opens the door of the car beats people's hearts precisely in rhythm. Every song in the film is like a revelation, a simile, and the theme is firmly and sternly, igniting or changing the rhythm in an instant. "Across the 110the street" at the beginning and the end of the movie is a metaphor for the whole film's theme. At the end, the black sister hummed, "Pimps will not let go of weak women, drug dealers will not let go of addicts", struggle to fight, Finally until dawn, the joy of victory was mixed with the tears that passed by with emotion, melted in this song, and the emotion was topped by the mountain. And The Delfonics didn't i blow your mind this time, the single is in the loop.
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