bottom life is not easy to describe, and it is easy to fail to explain the real situation clearly, but to expose yourself.
This is mainly related to the location of the recorder. Life is so fucking. It is difficult for people who have not experienced it to capture the details of life in the eyes of people at the bottom.
Originally, I wanted to show the suffering of the people, but I accidentally made a private visit to the emperor's microservices. I thought I was seeing the real world. In fact, the whole world knew that you were the emperor.
That would be embarrassing, because it's easy to see who the stupid is.
2 The
French film "Goddess" talks about the life of a 15-year-old girl at the bottom, shrouded by gang forces and religion. The girl desires rights and success, and does not think that academic success will be the starting point of the path to success.
So she smokes, steals, and sells drugs. She just wants to be rich-just to buy nice clothes and shoes, to buy perfume for her mother-or the simple wishes of the teenagers.
But where there is no money, the flow of wealth is relatively fixed, which is a closed loop. It is difficult to open an incision from it, and there is a price to pay.
3
The personality of a girl is shining in the price she paid, and there is a charming side to brutal growth.
The young girl sells drugs, and the drug dealer snatches the drugs. She has blood in her nose and eyes. She is unwilling to give in and threatens the other party.
Her mother was messing up with the chaos, and she was caught by her, risking being caught by the police to have revenge.
After the big drug dealer discovered her intention to steal money, she resisted desperately-this part was idealized.
It is worth mentioning that the girl who plays the lead role is very, very good, explosive and powerful, with small eyes and small movements that are particularly agile.
The protagonist's maturity that sometimes transcends age to observe his words and colors, the cruelty and bravery in his bones, and the recklessness and fragility that a young man should have are supported by her acting skills, which can kill all kinds of domestic traffic nipples.
4 A
young girl is a portrayal of barbaric growth. What I said earlier is the part of her beyond her age. Now we have to return to her age to talk about friendship and love.
The young girl’s friendship is always that big-breasted black girl, and she didn’t focus on the reason and cause and effect. The relationship will naturally be better when she steals things and skips class.
A girl’s love is remote and intangible, just like she always looks at the handsome dancing guy from a distance when she goes to the theater to hide money. Hiding money is a moment of spiritual satisfaction for her, and a time for her to rest. ; A piece of golden on the stage is a girl's fantasy, but it is always separated by a distance.
In the end, the big-breasted girl was burned to death. The handsome guy bought the ticket and left. The friendship and love of the girl ushered in a crit at the same time. This is essentially the same as Guo Jingming’s sadness, but for me, disillusionment is better than happy ending. .
5
The director of the film is a female, maybe because of the perspective, it’s really good for Virgo to shoot like this. The middle girl and the big breasted girl fantasize about driving a luxury car. It’s really the moment when freedom comes. It’s not beautiful. .
The fascinating savage growth is the cruel twists and turns you have seen, but you don’t have to experience it yourself.
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