. The most important thing is that. In the narrative framework, the clues of the detective story are scattered in the whole movie, and the clues of the detective movie are laid out, and the story direction is hardly taken into account. The lengthening of the prologue and the neglected weakening of the link between the clues make the whole story. The tone began to change, coupled with the inexplicable dreams (actually a mapping of the subconscious desires of Ku Ge), the whole story began to explore the trajectory of Ku Ge's own life, and finally came to a summary with Julian Moore in bed.
The second is lines, which often explain things in one sentence, always add some exclamations, divergence, and various unthinking words in front, especially John Goodman, who often says a lot of words without emphasis and without logic. And it also confuses Brother Cool. If in other movies, Brother Cool and him would have been killed. Moreover, John Goodman's illogical speaking is fast and strong, Jeff Bridges' divergence and distractions are broken, and he often pauses meaninglessly, and it takes a long time to finish, which makes me dumbfounded.
This kind of narrative, lines and performance make the story of the film become a secondary condition, it becomes a little unsightly, and I don't like it very much.
Looking at Jeff Bridges as the cool guy, I felt that if Hollywood were to make a movie version of "Detective Conan", the dark humor would run through the whole story, but it's hard to imagine that it was a film by the Coen brothers.
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