The book of years cannot bear to read

Melisa 2022-03-21 09:01:09

We have read many stories about time travel. The shocking "Terminator", the sensational "Interstellar", and the complicated "Back to the Future" are all classics in film history. Of course, there is the eternal "Journey to the West", which has become the emotional memory of a generation.

There are many stories about communication difficulties. The speechless "Tower of Babel" and the lonely "Lost in Tokyo" are classics. Liu Zhenyun also has a novel, "A Sentence Is Worth Ten Thousand Sentences", which deliberately uses verbal sentences to explain the plight of interpersonal communication and the bitterness of the heart.

"Arrival" is different from them.

If you are looking forward to seeing a popcorn-style sci-fi blockbuster, you may be disappointed. The slow pace of advancing seems careless, which tends to make people feel a little boring, and may even be distracted and ignore certain details. The frequently inserted flashbacks are in fact future insights, making the timeline of the film even more obscure. However, if you are sufficiently focused and relaxed enough to trust the director for a two-hour adventure, you can feel the unique charm of this film.

The whole film is filled with a tense atmosphere. Although it is different from the thrilling impact of common science fiction disaster films, there are no crashes, explosions, or landslides, but the director’s hand-held fighter jets, instant news and other sporadic fragments are matched with the heroine’s panic eyes. And the rushing breath easily brings inexplicable anxiety and oppression to the audience. The melancholic language of the lens creates a sense of mystery and expresses the anxiety that human beings cannot communicate with the aliens for the first time. The aliens are always in the mist, which further increases the sense of alienation.

The original "The Story of Your Life" has already had a group of fans, and the release of the film naturally attracted criticism from the original party. As an art carrier, video has the advantage of video, and text has the value of text. The movie brings a fascinating sense of presence, and the circular symbols similar to ink paintings perfectly show the description of alien languages ​​in the book. However, the novel is better than the construction of a sci-fi system that makes sense. In the book, the author described the alien’s spoken language system and writing system in detail, as well as the protagonist’s learning and thinking process. I don't know what professional linguists think of the author's idea, but it is just right in terms of science fiction.

When the heroine writes in alien languages, she can be trained to think completely with pictorial symbols. Her thinking is consistent with alien languages, without cause and effect, and no sequence. All thoughts have the same priority, and they are presented together. And thus gained the ability to watch for a lifetime. This feels that the movie does not express it clearly, and it is difficult for the audience to understand why the heroine can clearly foresee the future. As if psychic, some fragments of her life appeared in front of her eyes in the light and flint, quite the charm of the impermanence of Zen Buddhism, but the essence of the novel was missing. In the original work, there is a detailed foreshadowing and perfect logic for this. The hero and heroine's discussion of the laws of physics is an important theoretical basis. The film directly ignores it, perhaps because it is difficult for the general audience to understand, but it is even more abrupt and brain-burning.

The second half of the film is basically separated from the novel, and various commercial elements have been added due to box office considerations, such as the tense international situation, the rigid bureaucratic conflict with professionals, and the aliens' appeal three thousand years in advance. There is nothing wrong with catering to the market, but in general these parts are not handled well, forcibly mixed with them, it seems that the overall style is nondescript. China once again played the role of a double-edged sword full of sarcasm. On the one hand, it was full of offensiveness, lacking good intentions and open thinking, and it took Russia and Pakistan and other big brothers and little brothers to lead the world in a worse direction. On the other hand, this reckless China is not so stubborn and can still be enlightened by universal values, and can play a decisive role in the overall situation, but the premise is that Americans must learn Chinese, even if even aliens can listen to it. Can understand English.

The film circumvents the contradiction between foreseeing fate and self-will, and the ending is meaningful and tender. When you understand that you will experience all kinds of heartbreak and all the happiness you have will be lost in the years, are you still willing to embrace this bleak future, and can you still have the courage to look at each other affectionately with your lover? The heroine showed an admirable mind, and the sympathetic tone of the whole film came to a successful end at the last minute.

View more about Arrival reviews

Extended Reading
  • Kyle 2021-10-20 18:58:32

    The core of the original work is still preserved, and the shot is beautiful and sad. Still want to complain about the Chinese part, what the hell is Amy Adams's Chinese sentence?

  • Theron 2022-04-24 07:01:02

    The exaggerated brain-burning film that was promoted was ranked No. 1 on the charts, and ended up going to the theater, original sound! ! There are a few aliens in the film inexplicably, and let you make up your own language. Could it be that this is brain-burning, and I lied to you that I didn’t discuss it. I want to give you a point, but it’s a pity that my coin

Arrival quotes

  • [first lines]

    Louise Banks: [narrating] I used to think this was the beginning of your story. Memory is a strange thing. It doesn't work like I thought it did. We are so bound by time, by its order.

    Louise Banks: [coddling her baby girl] Okay. Okay. Come back to me. Come back to me. Come back to me.

    Louise Banks: [later playing with her in the yard] Stick 'em up! Are you the sheriff in this here town? These are my tickle guns, and I'm gonna getcha!

    6-Year-Old-Hannah: No!

    Louise Banks: You want me to chase you? You better run!

  • Ian Donnelly: [upon first meeting] Priority one: What do they want and where are they from? And beyond that, how did they get here? Are they capable of faster-than-light travel? I've prepared a list of questions to go over, starting with a series of "handshake" binary sequences...

    Louise Banks: How about we just talk to them before we start throwing math problems at them?

    Colonel Weber: This is why you're both here. I'll bring the coffee...

    Ian Donnelly: Coffee with some aliens...