Akira

Celine 2022-03-16 09:01:04

The film's depiction of New Tokyo is restrained, and even more so is the speculation about the future of New Tokyo and even human development.

New Tokyo, rebuilt after the war, is vast and vast, with rows of high-rise buildings, neon billboards, and the ubiquitous young people looking for fun on the streets, making the world's most densely populated city a materialistic city. cyberpunk miniatures. Needless to say, the big city is synonymous with sex and violence, a fear of anarchism. On the contrary, the most charismatic character in the whole film is the Colonel's school. He is different from the military martial arts of the previous soldiers, and has the courage to strive to break through the barriers of capital and directly address the fundamental development problems of society. "My duty is not to believe or not, but to execute and not to execute." The film conveys the idealism through the colonel's words to ensure the execution that a society should have. Obviously, the director is more inclined to accept the setting of a military feeling than to entrust the fate of mankind to the people who "illegally gather" on the street, and to overcome the huge hidden dangers, and to indulge in the pleasure of pure scientific research. But this is not belligerent but anti-war.

In Zuo Zhuan, it is said, "It is easy to rectify with chaos and not force." There are many elements of chaos in the film. But the film satirizes two types of chaos: one is the fans of feudal superstition who advocated ghost theology during the riots. They occupied the commanding heights of public opinion with propaganda that surpassed human cognition, and made maximum use of the weakness of people's lack of belief in troubled times, and they were suspected of taking advantage of people's danger. And when disaster strikes, the so-called "redemption in the fire" creed is nothing more than a eulogy for fleeing in a hurry. The second type of chaos is more obscure. This is mainly reflected in the heroine A Ting. The organization she is in is nothing more than a tool of government corruption under the guise of rebellion. intensified social contradictions. A-Ting is an innocent rebel, but there are hundreds of such innocents. They may not have figured out their role in the rebellion from beginning to end. This undoubtedly exacerbates the chaos in society and makes it difficult to truly promote social progress. Back to the colonel, the most timely and accurate information made his execution not only powerful but also the most effective. In the face of a filthy society that seems bound to break with it, violence is inevitable, but it is by no means unarmed.

However, in the face of Akira, the most ideal co-ordination and the most powerful weapon could not prevent the wanton spread of its powerful forces.

What is Akira, Akira is the energy that does not belong to human beings, it is the ability that human beings cannot control. It is the original sin that made the amoeba greedily devour everything around it; it is the nuclear nightmare that Japan feared and longed for after the war. In a world with Akira, human beings are not redeemed, but are blinded by this unknown force: the people on the overpass would rather lose their lives to watch Akira's appearance. And the suffering after countless ruins and casualties is the only thing left behind by Akira's repeated ravages.

"It was like the beginning of the universe." In Akira's annihilation, the old world was truly purged, and the new world was revealed. Perhaps what Akira wants to convey is that at present only denuclearization and deification is the only way to end suffering and riots. But at the end of the film, there is still a suspenseful conjecture: Can human beings finally match the gods and gain the ability to control "Aguilar" in the evolution? Although not now, "but one day, we can also..." "Look, we have begun to experiment..."

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Extended Reading

Akira quotes

  • Kaneda (1988 Streamline Pictures dub): He went to find Akira?

    Kay: That's what the strange one said.

    Kaneda (1988 Streamline Pictures dub): You, and Roy, and the Army keep talking about this guy called Akira, and now you're chasing Tetsuo. It has something to do with his power, right? But who the hell's this Akira?

    Kay: All I know is what Roy said. He said Akira has achieved pure energy.

    Kaneda (1988 Streamline Pictures dub): Pure energy?

    Kay: A human being, you know, achieves a whole lot of things in a lifetime, right? Like discovering things and making things like houses and motorbikes, and bridges and towns, rockets. Where does that tremendous knowledge and energy all come from?

    Kaneda (1988 Streamline Pictures dub): [shrugs with an "I don't know" grunt]

    Kay: After all, humans are descended from monkeys, right? And before that, insects and then fish, and long before that, plankton and one-celled amoeba. When you think about it, each life form must have its own energy.

    Kaneda (1988 Streamline Pictures dub): Well, I... Uh... That's evolution, right?

    Kay: I'm talking about the life force that exists, even perhaps in water and atmosphere, perhaps even in space dust. If they evolved, they must hold some memory locked inside. If it could reach back, even before the beginning of time...

    Kaneda (1988 Streamline Pictures dub): Hey, hold it. What's the matter with you? Are you all right? Maybe you hit your head back there, huh?

    Kay: Perhaps all things in existence have that memory, but what if the order of things were disturbed, if through experimentation, an amoeba were transfused with the power of a human being?

    Kaneda (1988 Streamline Pictures dub): What? Is that what Akira is?

    Kay: Amoebas don't make motorcycles and atomic bombs! They only eat up anything that happens into their way.

    Kaneda (1988 Streamline Pictures dub): You mean Tetsuo? You're saying he has *that* kind of power?

    Kay: Before, there were those men who tried to harness such energy at the request of the executive council. They failed and the destruction of Tokyo was inevitable.

    Kiyoko: [who has been speaking through Kei] But this time, that energy will be ours.

    Kay: [upon being released] Ah!

    [the door to the cell unlocks]

    Kaneda (1988 Streamline Pictures dub): What?

    Kay: The door's open.

    Kaneda (1988 Streamline Pictures dub): Huh?

    [after they leave the cell]

    Kaneda (1988 Streamline Pictures dub): This smells, could be a trap.

    Kay: Then let's get back.

    Kaneda (1988 Streamline Pictures dub): No! This may be our only chance to get outta this nut house!

    [as they're going towards the exit]

    Kaneda (1988 Streamline Pictures dub): By the way, what's the story between you and that Roy guy?

    Kay: What's it to you, anyway?

    Kaneda (1988 Streamline Pictures dub): Well, I mean, like you're always together.

    Kay: None of your business.

    Kaneda (1988 Streamline Pictures dub): It *is* my business. I mean, does he know about us?

    Kay: About us? Wait a minute! What about us?

    Kaneda (1988 Streamline Pictures dub): Well...

  • Yuji Takeyama: Look, I'm tellin' ya that the government, or at least the army was after that little guy.

    Yamagata: Well, maybe they were, but so what?

    Kai: You're missing the main point. Why don't they tell us where they took Tetsuo?

    Kay: What? What'd he say?

    Kaneda (1988 Streamline Pictures dub): Oh, nothing. Say, why don't you and me get lost and have a few laughs?

    Kay: Haha.

    Kaneda (1988 Streamline Pictures dub): Okay, maybe we could sit down and talk about, you know, the revolution and all that stuff.

    Kay: Hm. Well, that's a new way to pick up a girl. What do you delinquents know about politics, anyway?

    Kaneda (1988 Streamline Pictures dub): Hey, come on! Don't look a gift horse in the mouth, huh?

    Cop: Okay, you bums, sit quietly and I...

    Kaneda (1988 Streamline Pictures dub): Hey, I'm not givin' you a line. Just tell me about it and maybe me and my friends can help. I mean, we could ride out like the cavalry, huh?

    Kay: Well, thanks, anyway. I gotta go. Thanks a lot, um... Uh...

    Kaneda (1988 Streamline Pictures dub): Kaneda.

    Kay: Yeah. Well, thanks, Kaneda.

    Kaneda (1988 Streamline Pictures dub): Huh? Wait. Do you have to go so soon? Hey, that's not fair. Whoa! Wait a sec! Hey, that's the last time I stick my neck out for you! Hey!

    [gets cut off by a train while chasing her]

    Kaneda (1988 Streamline Pictures dub): Well, the least you could do is tell me your name!