Two and a half hours passed in no time

Gina 2021-10-20 19:01:50

#LFF# Premiere four and a half stars. Bell's face-changing and subversive performances seem to be endless, and everything he plays is in a brand new state, which is too impressive. The cuteness is quite satisfactory, but it also has a good point of explosiveness and heart-to-heart. The appearance, appearance and performance of Uncle Punishment were pleasant surprises. The first half of the plot is more cliche, but without the content, the racing theme and the shell of the cast are also worth enjoying. After slowly getting better, the car door bug was novel. The highest light in the film should be Ken's mad acceleration and then let go of pride on the last lap. He really slowed down and went hand-in-hand with the colleague driver, which gave a lot of emotional impact. Then the ending is reversed, unexpected and BE like crushing and rubbing the audience's feelings, and the end is full of surprises and doubts. There was a paragraph in the middle, and the cuteness drove the Ford boss in a lap. After stopping, the boss cried, thinking that he was frightened and made the audience laugh, but the latter said: It’s a pity that my father didn’t experience it. To this result. The smiles were all frozen on the faces of the audience in an instant, and suddenly thought of the Philippine editor's interpretation of the magic of comedy, deeply impressed. ps. I was pleasantly surprised to see Noah’s brother in real life

Eliane 2022-03-22 09:01:19

No matter how good the filming is, it will still work. Even with the Bell and Matt Damon platforms and the racing elements, it is more appropriate for "Speed ​​King" to say that it is the history of the veteran car dealer Ford. After the lengthy background statement at the beginning of the film, an independent industry relationship between Ford and Ferrari was established, but this external contradiction itself, in fact, failed to realize the identity of the dual male protagonist. As a result, the latter part of the racing scene itself is fierce, but it still lacks a clear reference in the play. Therefore, the director can only set a series of symbolic roles to put pressure on the protagonist from all aspects. This separation of characters and identities also makes it difficult for emotions to reach the climax. As a result, all the thrilling sensory experiences of the film can only be externalized among the cold machinery. As far as the movie is concerned, whether it is the audio-visual design of the recurring racing scene or the performance of the two protagonists, they have failed to break out of the category of stereotypes, and can only be regarded as normal performance.