The light of enlightenment, in vain

Joana 2022-03-17 09:01:04

The animation of 1988, if not directed by Otomo Keyang, and has been widely rumored in the science fiction industry, would not have been hard to watch.

As a result, after tossing and turning four or five times, I turned it off when I couldn't watch it, and even fell asleep after watching it... It was always intermittent and couldn't finish it in one breath.

In fact, the reason for the obstacle to viewing is that no matter how shocking the world view was set back then, how powerful the animation technology was, and how innovative the techniques were, the key is that the story is too broken!

What starts and turns, what inspiring events, what causes and effects, what dramatic conflicts, do not pay attention to these at all, and there is no narrative rhythm at all. Too jumpy, too sudden, too capricious.

In addition to the handsome red motorcycle, the characters are not good-looking at all, the old child with wrinkled blue skin, the girl with short legs, the protagonist of the collapsed painting... The dark and oversaturated picture is really uncomfortable to watch.

To sum up in one sentence, after the third explosion, there was a conflict between the speeding parties, in which the eldest Jintian's good brother Tiexiong met an old child with superpowers and was accidentally caught to study and reform. Mighty begins to take revenge on society and brothers. Because it can't bear the overload and eventually runaway. And this is the experiment of the three old children. After using Tetsuo to liberate Akira, it triggers a small-scale collapse and finally becomes free.

In the second half of the film, most of the focus is placed on the contradictory complex of Tetsuo. As a character who is both good and evil, he has been imposed too much social pressure, which can be regarded as post-war Japan after the nuclear explosion. The epitome of a teenager, full of mad revenge and violent desire. Even though this character has so many rich brush and ink and visually shocking depictions, it still makes people not like it. He is too jealous of his brother and even fights after he counterattacks. He has no ability to protect his girlfriend and finally takes her to the burial in a weak manner. No matter how negative energy he is in society, he should not vent on innocent people.

As for Jin Tian, ​​who rides a handsome motorcycle, although the protagonist has a halo, he is reckless and brave, showing his loyalty for a while, and he is too pretentious and cannot stimulate the audience's common feelings.

In short, even if it is hailed as a masterpiece, I can't enjoy any movie viewing pleasure or inspiration from it. However, the figure of the Jintian red motorcycle is not bad!

View more about Akira reviews

Extended Reading

Akira quotes

  • Kaneda (1988 Streamline Pictures dub): He went to find Akira?

    Kay: That's what the strange one said.

    Kaneda (1988 Streamline Pictures dub): You, and Roy, and the Army keep talking about this guy called Akira, and now you're chasing Tetsuo. It has something to do with his power, right? But who the hell's this Akira?

    Kay: All I know is what Roy said. He said Akira has achieved pure energy.

    Kaneda (1988 Streamline Pictures dub): Pure energy?

    Kay: A human being, you know, achieves a whole lot of things in a lifetime, right? Like discovering things and making things like houses and motorbikes, and bridges and towns, rockets. Where does that tremendous knowledge and energy all come from?

    Kaneda (1988 Streamline Pictures dub): [shrugs with an "I don't know" grunt]

    Kay: After all, humans are descended from monkeys, right? And before that, insects and then fish, and long before that, plankton and one-celled amoeba. When you think about it, each life form must have its own energy.

    Kaneda (1988 Streamline Pictures dub): Well, I... Uh... That's evolution, right?

    Kay: I'm talking about the life force that exists, even perhaps in water and atmosphere, perhaps even in space dust. If they evolved, they must hold some memory locked inside. If it could reach back, even before the beginning of time...

    Kaneda (1988 Streamline Pictures dub): Hey, hold it. What's the matter with you? Are you all right? Maybe you hit your head back there, huh?

    Kay: Perhaps all things in existence have that memory, but what if the order of things were disturbed, if through experimentation, an amoeba were transfused with the power of a human being?

    Kaneda (1988 Streamline Pictures dub): What? Is that what Akira is?

    Kay: Amoebas don't make motorcycles and atomic bombs! They only eat up anything that happens into their way.

    Kaneda (1988 Streamline Pictures dub): You mean Tetsuo? You're saying he has *that* kind of power?

    Kay: Before, there were those men who tried to harness such energy at the request of the executive council. They failed and the destruction of Tokyo was inevitable.

    Kiyoko: [who has been speaking through Kei] But this time, that energy will be ours.

    Kay: [upon being released] Ah!

    [the door to the cell unlocks]

    Kaneda (1988 Streamline Pictures dub): What?

    Kay: The door's open.

    Kaneda (1988 Streamline Pictures dub): Huh?

    [after they leave the cell]

    Kaneda (1988 Streamline Pictures dub): This smells, could be a trap.

    Kay: Then let's get back.

    Kaneda (1988 Streamline Pictures dub): No! This may be our only chance to get outta this nut house!

    [as they're going towards the exit]

    Kaneda (1988 Streamline Pictures dub): By the way, what's the story between you and that Roy guy?

    Kay: What's it to you, anyway?

    Kaneda (1988 Streamline Pictures dub): Well, I mean, like you're always together.

    Kay: None of your business.

    Kaneda (1988 Streamline Pictures dub): It *is* my business. I mean, does he know about us?

    Kay: About us? Wait a minute! What about us?

    Kaneda (1988 Streamline Pictures dub): Well...

  • Yuji Takeyama: Look, I'm tellin' ya that the government, or at least the army was after that little guy.

    Yamagata: Well, maybe they were, but so what?

    Kai: You're missing the main point. Why don't they tell us where they took Tetsuo?

    Kay: What? What'd he say?

    Kaneda (1988 Streamline Pictures dub): Oh, nothing. Say, why don't you and me get lost and have a few laughs?

    Kay: Haha.

    Kaneda (1988 Streamline Pictures dub): Okay, maybe we could sit down and talk about, you know, the revolution and all that stuff.

    Kay: Hm. Well, that's a new way to pick up a girl. What do you delinquents know about politics, anyway?

    Kaneda (1988 Streamline Pictures dub): Hey, come on! Don't look a gift horse in the mouth, huh?

    Cop: Okay, you bums, sit quietly and I...

    Kaneda (1988 Streamline Pictures dub): Hey, I'm not givin' you a line. Just tell me about it and maybe me and my friends can help. I mean, we could ride out like the cavalry, huh?

    Kay: Well, thanks, anyway. I gotta go. Thanks a lot, um... Uh...

    Kaneda (1988 Streamline Pictures dub): Kaneda.

    Kay: Yeah. Well, thanks, Kaneda.

    Kaneda (1988 Streamline Pictures dub): Huh? Wait. Do you have to go so soon? Hey, that's not fair. Whoa! Wait a sec! Hey, that's the last time I stick my neck out for you! Hey!

    [gets cut off by a train while chasing her]

    Kaneda (1988 Streamline Pictures dub): Well, the least you could do is tell me your name!