"The girl waiting for love"

Melyssa 2022-04-08 08:01:02

I think it turned out very well, that is, vivid and vivid, although Jiang Zi's ridicule is a bit cruel...

For emotions, a two-person duo who let go and forbear, is really cute. Even though the appearance is old, the heart is full It's no different from a girl. The movie expresses this in a nuanced way, and the background scenery and music are also smooth and pleasing.

I feel that the spring that Jiang Zi's hair is casual and is destined to die, it is quite wasteful to use a film of nearly 2 hours to describe it. Yes, and some inexplicable. But what does it have to do with the four. The movie turned out to be very good, so that's fine.

The violin in the film, the original sound comes from the handsome JOSHUA BELL classmate, who is also a CLAYDERMAN in the classical violin world (but Four GAY version oh).

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Extended Reading
  • Telly 2022-04-08 08:01:02

    3 and a half stars. It's too named. . . But the story is tender and sad, like a violin piece. The acting of the two sisters is really delicate

  • Elza 2022-04-11 09:01:08

    When an old man falls in love with you, when she decides to burn with the last heat this time. That is the yearning for youth, the nostalgia for life. It will be quieter, deeper, fiercer, and more hopeless than any other love. So you have to cherish it extra. There is no need for pity, only respect and awe, this love for life.

Ladies in Lavender quotes

  • [Ursula looks out the window, waiting for Andrea to return]

    Janet Widdington: He won't be here any sooner.

    Ursula Widdington: No, I know, I just... I told him we were having chicken.

    Janet Widdington: I think we should eat.

    Ursula Widdington: No, let's wait. He's sure to be here soon.

  • [they have finished dinner, still waiting for Andrea to return]

    Janet Widdington: I'm going to phone Pendered.

    Ursula Widdington: All right.

    Janet Widdington: [Janet goes to the phone] Trevannic 412, please, Mrs. Pengelley... Hello? Mr. Pendered?... Yeah, it's - it's Janet Widdington... Yeah, well - hello... Yes, we're rather worried about Andrea. We were expecting him for supper. And we...

    [her face falls as she listens]

    Janet Widdington: Oh, I - oh, I see... No, no - we didn't know... Yes... Well, thank you.

    [she hangs up]

    Ursula Widdington: Janet, what's happened?

    Janet Widdington: They've gone.

    Ursula Widdington: What do you mean?

    Janet Widdington: I mean, Andrea's gone. With that woman.

    Ursula Widdington: I don't understand.

    Janet Widdington: Andrea and the Danilof woman were seen getting on the train to London.

    Ursula Widdington: [Ursula begins to cry] Oh, Jan- Oh, Janet! No. Oh, Janet. No, oh no!

    Janet Widdington: Don't, Ursula.

    Ursula Widdington: Oh no...

    Janet Widdington: Ursula.

    Ursula Widdington: [Ursula sobs harder, her face in her hands] Janet!

    Janet Widdington: Oh don't!

    [she hugs Ursula, who clings to her and cries harder]

    Ursula Widdington: Janet, Janet!

    Janet Widdington: Don't. You mustn't, Ursula. No, you mustn't. Please!