In fact, it's just a movie that Insomnia just clicked on, because insomnia's anxiety and anxiety also opened 1.5 times the speed.
It's hard not to say that the revolving shots of the heroine turning on gas in bed to prepare to commit suicide are ingenious, and it feels like a fantasy that can't be kept, unrealistic and can't last forever.
I thought I could understand the female protagonist's feeling that she wanted to break through reality and pursue someone who attracted her. That person was handsome and humorous. When she talked about her experience during the war, her eyes seemed to glow, and she had endless vitality. You can love with passion and passion that never stops. She may have been fed up with her husband's boredom, her mother-in-law's hypocrisy, self-deception and self-deception, and wanted to pursue the freedom and fun that she longed for (in fact, it was a novelty she had never experienced), this kind of attraction was very attractive to her at that time. Said to be a life-saving straw, so she couldn't wait to throw out all her sincerity to pursue it.
It's a pity that that person's vitality comes only when he is not restrained or looked down upon. He is not because of sufficient confidence and self-confidence, but because of his indifference and indifference manifested by the disguise of trying his best to humble himself. With a little doubt and pressure, he couldn't bear the heroine's emotions, and couldn't respond to her strong love. He is breakable like glass.
One wants to chase, the other wants to escape, how can there be a good ending. Is it not that such pure and strong emotions are different from class, and the fragile reality after the war can never be reconciled? Is there a moment when such an emotion can go solidly? It's a beautiful movie. After watching the tragedy in a beautiful coat, I feel more depressed and suffocated.
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