In the first half of the film, the jazz musician Feder’s memories of the murder of his wife in the interrogation room. The tapes sent to my home in my memories remind me of Haneke’s "Hidden Camera", but the video in this film is From a ghostly perspective, it presents every move of Feder's house until the fuzzy image of Feder's murder of his wife is switched to the next interrogation room to explain why he is here. The mysticism style of the first half is quite typical. The wife's face in bed suddenly turned into the face of a pale man. This weird man constantly appeared in his subconscious, on the bed, at the banquet, and in the small house in the wilderness. , The house with the burning picture constantly appearing upside down hides the deepest fear and evil in Feder's heart. The most important message in the first half of the paragraph came from the dance party. For the first time at the dance party, the real body of the white-faced man appeared. He asked Feder to call his home, and then found that the white-faced man was in front of him and was in front of him. Home... In this scene, Andy, the romantic man with ambiguous eyes and limbs with his wife, appeared in this scene. During the conversation with Andy, Feder learned that the white-faced man was Dick’s friend, and Feder said Dick. He is dead. It seems that only Feder knows that Dick is dead. On the way home, Feder asks his wife why he knows someone like Andy. The wife said that she and Andy met in a place called Moke, Andy. She was introduced to her work, and this series of messages exudes ambiguity, jealousy and anger. In the second half of Feder's personality split, he became Pete, completely another person, a mechanic, a girlfriend, and met a gangster named Andy, and this Andy is a fat middle-aged man. , Fell in love with the gangster’s blonde wife Alice. Alice is exactly the same as the wife in the first half, working as a pornographic actor. He met an Andy’s man in the Moike, and this man was the romantic Andy in the first half, and The name is also Andy... Alice is a coquettish woman. She is company with Andy, she has a leg with Andy, and she has a hot fight with Pete. This kind of character relationship has a secret and obscure connection with the first half. The weird death method of his subordinate Andy's head in the corner of the table is quite a vent for Pete. Alice's coquettish image and chaotic relationship also match the ambiguity and jealousy presented in the first half of the dance. In the passage where Pete killed his subordinate Andy, the living room in the villa is showing Alice's A-film clips, and Alice appears wearing underwear, a scene of erosion. Then Pete and Alice had sex outside the wilderness hut. After the incident, Pete changed back to Feder and found in the hotel room that the gangster Andy had an affair with his wife. He took Andy outside the hut, and the white-faced man made a video. Show the video to Andy. In the video, Andy and Feder’s wife kissed and flirted while watching pornographic videos, standing next to Andy, and finally the white-faced man killed Andy, and Feder drove away when the police chased him again. Split personality. In fact, the story is not complicated. It is the story of Feder's murder when he found his wife cheating. It's just that Lynch used unexplained symbols and unprepared transitions to make the logic unable to be coherent, just like one hammer in the middle of a dream. The stick is confusing. The white-faced man appeared at every important moment, and in the end he even helped Feder kill Andy. He seemed to be Feder's inner killing image. And the Dick who never showed up in the first half should be Andy, the gangster in the second half, but his image appeared but his name disappeared... Finally, the police saw Feder’s wife, Dick and Andy in the villa. Taking photos of people together can be regarded as a thorough openness to the story.
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