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Bennie 2022-03-21 09:01:55

Vietnam War.

The revolutionary propaganda of "Political Form Literature and Art" uses public discourse, whether it is oral or written, it pursues shock and impact effects. Short forms (slogans, slogans) and strong emotional appeals (calls, orders, promises, etc.) have a "bullet effect" or hypodermic injection effect on the audience's psychology, which directly affects their political attitudes, beliefs and feelings. Political Culture.

The mobilization, preaching, and speeches of political leaders in front of the masses in mainstream biopics are the most direct expressions of ideology. The opening six-and-a-half-minute speech goes against the basic Hollywood narrative principles, making Patton look at the camera, forcing the audience to identify with the audience in the film, that is, the audience is listening to Patton's speech with the soldiers, which completely reveals the creator. Intent: To evoke the war-adventure and patriotism of American youth.

"Research on the Construction of Biographical Master Identity in Chinese Biographical Films". The complexity of Western biographical films does not shy away from character flaws, human weaknesses, and controversies. It does not shy away from revealing non-mainstream values ​​and personal ideologies, and refuses to make simplified, one-dimensional descriptions and evaluations of characters. Arrogant and arrogant, reckless and open-mouthed, "a tragic hero who is out of step with the times, a quixotic character"

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Extended Reading

Patton quotes

  • [about his pistol grips]

    Patton: They're ivory. Only a pimp from a cheap New Orleans whorehouse would carry a pearl-handled pistol.

  • Patton: We're gonna keep fighting. Is that CLEAR? We're gonna attack all night, we're gonna attack tomorrow morning. If we are not VICTORIOUS, let no man come back alive!