Movie Notes | Strangers on a Train (1951)

Rudy 2021-11-13 08:01:23

Looking forward to the psychoanalytic ending, but there is no reversal. Xi Pang does not need to rely on reversing to attract attention. The reason why his suspense films are so long and not afraid of spoilers is that he does not rely on conspiracy and tricks. The curiosity is aroused purely by the well-thought-out plot. Suspense is accompanied by comedy and ridicule, which is very British and highly typified. The spectacles reflect on murder, the carousel is in shock, and he insists on the ingenious lens language of each film design. This research spirit is as persistent as he is willing to appear on the scene.

Leanna 2022-03-27 09:01:04

Oh no! The ending is like a deep boudoir and a cloud of doubts! Although I tried to accost the audience and smile with a stranger who echoed from the beginning to the end, but no matter what I think, the dark ending is more emotional! And how much Bruno is so gloomy and weird for a Psycho-style deep psychoanalysis! But the language of the lens is really excellent! I watched the merry-go-round a few times, from exciting to relaxing entertainment and then to exciting. Children use it wonderfully. Start with cp.